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Course Criteria
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3.00 Credits
No course description available.
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2.00 Credits
No course description available.
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3.00 Credits
Exploration of the development of the cultural characteristics of British Comedy programming for cinema, television, and radio. This class traces the evolution of comedic forms, and surveys contemporary genres--sketch, broken, sitcom, satire, stand-up, improv, the impressionists, and "sit-trag." Only offered in London. Prerequisites: three courses in humanities (HU) and/or social sciences (SS), junior standing and acceptance into the Ithaca College London Program. 3 credits. (Y)
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2.00 Credits
This intermediate cinema course, offered in conjunction with Nick Muellner's Photographic Projects in Rome, explores the aesthetic concerns associated with editing. We will read the notable late writing of Sergel Eisenstein, Montage as Architecture, as well as essays from Italian filmmaker Pier Paolo Pasolini's ground-breaking book Heretical Empiricism. This hands-on editing course explores the potential of documentary material to articulate meaning beyond what is depicted within the frame. As Pasolini observed in his seminal essay, The Written Language of Reality, "we can recognize and represent invisible domains only through a rigorously detailed contemplation of the material world and the objects and people inhabiting it." With that in mind, students will be asked to acquire images from the streets of Rome, Italy with an attention to both their content and their compositional dynamics in order to produce a short poetic documentary. This class' primary objective is to help the central element of film language and to enable students to refine their personal cinematic voices by developing the most critical skill of any editor, learning to see how the material world itself speaks. Prerequisites: working knowledge of a non-linear editing software program. 2 credits.
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4.00 Credits
An examination of the process of creating nonlinear game and web-based narratives. Students will develop an idea for a nonlinear narrative -- which might be an original video game, a video game based on an existing literary property, or an idea for an online narrative -- and write parts of that narrative. Students will also compare existing video games adapted from other material to explore the basic principles of writing for video games and will examine the needs and expectations of the audience/viewer/player for immersive/interactive media and that of established media. Prerequisites: CNPH 23300. 4 credits. (S)
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4.00 Credits
Through a series of lectures, demonstrations, creative analysis, and hands-on experience, students will acquire an advanced knowledge of motion picture editing techniques and tools. Students will employ individually conceived creative strategies to complete a series of ambitious editing exercises. Critiques of individual results, as well as written and oral analysis will foster creative inquiry to compliment the instrumental course content. Prerequisites: CNPH22400 or CNPH22100. 4 credits. (F-S)
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4.00 Credits
Through extensive readings, screenings, lectures, and focused projects, students will examine the total concept of motion picture directing as a visionary process, as well as practical one. Completion of several intensive directing projects, as well as participation in a group project, is required. Critiques of individual results, as well as written and oral analysis will foster creative inquiry to compliment the instrumental course content. Prerequisites: CNPH11100 or CNPH11000. 4 credits. (IRR)
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4.00 Credits
An intensive exploration into the processes of cinema sound, including advanced recording techniques and particularly postproduction mixing. In addition to extensive readings, papers, and focused projects, students will participate in lab sessions to perform mixes of several motion pictures. Prerequisites: CNPH22400 or CNPH22100. 4 credits. (IRR)
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4.00 Credits
Exploration of a specific area of cinema production, designed to enhance and enrich the traditional production curriculum and provide significant professional training for an ever-changing discipline. Subjects will likely include, but are not limited to: cinematography, sound design, advanced editing, alternative special effects, and directing for the screen. Topics will vary to reflect current and future trends in cinema production, as well as student demand and faculty expertise. Prerequisites: CNPH 22400. 4 credits. (Y)
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