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Course Criteria
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3.00 Credits
Students explore popular music and rock criticism through reading, writing, and discussion. Course focuses on the historical aspects of rock and its criticism. Course explores the relationship between the press and the musical work's production, marketing, and promotion. Instruction focuses on expression of critical commentary in a succinct style that is accessible to consumers. 3 CREDITS PREREQUISITES: 52-1152 WRITING AND RHETORIC II
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3.00 Credits
This class brings together highly motivated forward thinking students both graduates and senior undergraduates in a research and development platform to engage in activities that result in recommendations to the Recording Industry as related to new digital technologies and their impact on the Recording Industry paradigm. Through lectures, reserach and guest lectures, students will work in groups and develop presentations and papers on a variety of new technology subjects for dissemination to the Columbia College Community and the broader National and International Recording Industry. 3 CREDITS
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3.00 Credits
This course is intended to complement the Producing Recorded Music I class by continuing to explore many of the recording and production concepts previously covered. This class concentrates on providing students with an opportunity to utilize the tools of the recording environment through hands-on applications. Additionally, students are exposed to pre-recorded recordings and through analysis develop critical listening skills necessary for success in this field. Further applications of basic music theory are also emphasized. 3 CREDITS PREREQUISITES: 28-2420 PRODUCING RECORDED MUSIC I
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2.00 Credits
Utilizing information gained in Producing Recorded Music II and through interactive application, students will gain knowledge relating to the aspects of pre-production, pre-editing, tracking, mixing and post-editing music for commercial recordings. Emphasis is placed on: planning procedures; applications of music theory; imploring producer attributes; utilizing recording terminology and the execution of these concepts. Students will produce tracking, mixing and editing sessions with an actual artist. The final mastering session will be produced with a guest professional engineer. 2 CREDITS PREREQUISITES: 28-4422 PRODUCING RECORDED MUSIC II: APPLIED TECHNIQUES AND PERMISSION OF MUSIC BUSINESS COORDINATOR
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3.00 Credits
Course examines the responsibilities of a music supervisor/ manager as related to televition, motion pictures, and other media. Specific emphasis is placed on understanding the decisions necessary to: enhance the story with appropriate selections of music and instrumentation, supervise recording sessions, obtain all proper licenses, negotiate usage fees, hire and work with the music composers, and oversee all music related budgets. 3 CREDITS PREREQUISITES: 28-2422 INTRODUCTION TO PRO TOOLS FOR PRODUCERS, 28-2435 MUSIC PUBLISHING, 28-4422 PRODUCING RECORDED MUSIC II: APPLIED TECHNIQUES
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2.00 Credits
Course builds on the skills developed in Introduction to Pro Tools for Managers and Music Supervisor: Entertainment Industry and examines the skills and responsibilities of music editors/managers in the entertainment industry. Specific emphasis is placed on understanding the process and technique necessary to edit appropriate music for film, television, games, and other media. Students will also understand negotiations involving contractual fees; the dynamics of working with composers, music supervisors, and other personnel involved in the editing environment; and the process of making judgments on music choice. 2 CREDITS PREREQUISITES: 28-1110 INTRODUCTION TO MANAGEMENT, 28-2420 PRODUCING RECORDED MUSIC I, 28-3130 ARTS ENTREPRENEURSHIP I, 28-4424 PRODUCING RECORDED MUSIC III: ADVANCED CONCEPTS, 52-1152 WRITING AND RHETORIC II
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2.00 Credits
This course is designed to explore the global music industry. Students will travel to Cannes, France, to attend MIDEM, the world's largest international music marketplace. Through the A&R process, students will identify and select artists to represent at the conference. Students will create and implement a strategic plan for the artist that will require in-depth research of international markets, publications, Web sites, and global music industry organizations. At the MIDEM conference, students will seek global distribution, licensing, branding, and live performance partnerships for their artists. 2 CREDITS PREREQUISITES: 28-1110 INTRODUCTION TO MANAGEMENT, 28-2411 APPLIED MARKETING: RECORDING INDUSTRY
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1.00 - 6.00 Credits
Students follow a marketing plan developed by AEMMP Records Company Marketing and learn day-to-day aspects of promoting an independent release and the management and promotion of catalog product. 1-6 CREDITS PREREQUISITES: PERMISSION OF MUSIC BUSINESS COORDINATOR
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2.00 Credits
This course is an online project based course for music business students who are interested in the music production process for the recording industry. Each student will individually engage in a complete process of creating a final mix master for a commercial artist. Students will control all the production aspects, including pre-production, production and post-production. Students are required to create a production plan, develop a production budget, and meet client's production requirements for the final master. The final product will be evaluated by an industry-recognized professional music producer, and the student's grade will be reflected based on the evaluation of the final master and an oral juried presentation. 2 CREDITS PREREQUISITES: 28-4424 PRODUCING RECORDED MUSIC III: ADVANCED CONCEPTS
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