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CPLT 121: Crossing Borders:Immigration,Migration,and Exile in Cinema
4.00 Credits
University of California-Riverside
Lecture, 3 hours; screening, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Proposes an international look at the phenomenon of migration through film. Film can be considered the foremost medium to do justice to this issue.
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CPLT 121 - Crossing Borders:Immigration,Migration,and Exile in Cinema
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CPLT 125: Mutual Fascinations:French-Mexican Cultural Relations
4.00 Credits
University of California-Riverside
Lecture, 3 hours; term paper, 2 hours; outside research, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. Explores the mutual attraction between Mexican and French cultures. Readings include the works of Mexicans Reyes, Rivera, Fuentes, and Toledo and Frenchmen Artaud, Breton, Peret, and Soustelle and demonstrate the long-lived attraction between Mexico and France. Examines how artists, writers, and intellectuals are transformed by their experiences in each country.
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CPLT 125 - Mutual Fascinations:French-Mexican Cultural Relations
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CPLT 126: From Novel to Screen:Film Adaptations of German Literature
4.00 Credits
University of California-Riverside
Lecture, 3 hours; screening, 2 hours; individual study, 1 hour. Prerequisite(s): upperdivision standing or consent of instructor. An introduction to classic works of German literature and their film adaptations. Explores adaptations by film directors such as Welles, Kubrick, Visconti, and Fassbinder. Studies the nexus between literature, film, and theatre. Course conducted in English. Cross-listed with GER 126 and MCS 126.
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CPLT 126 - From Novel to Screen:Film Adaptations of German Literature
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CPLT 131: Marx,Nietzsche,Freud
4.00 Credits
University of California-Riverside
Lecture, 3 hours; extra reading, 3 hours. Prerequisite(s): upperdivision standing or consent of instructor. Critical introduction to three central thinkers of modernity. Topics include alienation, free will, revolution, the unconscious, sexual difference, political power, and the modern conception of truth. Readings and discussions are in English. Selected readings are in German for German majors and minors. Cross-listed with GER 131.
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CPLT 131 - Marx,Nietzsche,Freud
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CPLT 132: Rousseau and Revolution
4.00 Credits
University of California-Riverside
Lecture, 3 hours; extra reading, 3 hours. Prerequisite(s): upperdivision standing or consent of instructor. Introductory study of the French philosopher and novelist Jean- Jacques Rousseau and the age of revolution in France, Germany, and England. Topics include social inequality, slavery, gender, subjectivity, violence, and political rights. All readings are in English. Cross-listed with FREN 132 and GER 132.
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CPLT 132 - Rousseau and Revolution
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CPLT 134: Cinematic War Memory
4.00 Credits
University of California-Riverside
Lecture, 3 hours; screening, 2 hours; extra reading, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. Examines cinematic confrontations involving World War II in Germany and Japan. Topics include desire between victims and perpetrators, representation of trauma, and ethical responsibility. All screenings have English subtitles. Cross-listed with GER 134, JPN 134, and MCS 114.
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CPLT 134 - Cinematic War Memory
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CPLT 135: Film Noir and Hollywood's German Immigrants
4.00 Credits
University of California-Riverside
Lecture, 3 hours; screening, 2 hours; individual study, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. Analysis of the role of German immigrants in the emergence of film noir in 1940s' Hollywood. Examines the revitalization of Weimar Expressionism in Hollywood cinema. Explores traumatic memory, cultural transfer, exile and displacement in films by German filmmaker refugees including Fritz Lang and Billy Wilder. Cross-listed with GER 135 and MCS 170.
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CPLT 135 - Film Noir and Hollywood's German Immigrants
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CPLT 137: Passions,Apparitions,and Automata
4.00 Credits
University of California-Riverside
Lecture, 3 hours; extra reading, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Introductory study of German Romanticism from its origins in Goethe to its development in Hoffmann. Topics include madness, sexual desire, doppelganger, homicide, and automata. All readings are in English; selected readings are in German for German majors and minors. Cross-listed with EUR 137 and GER 137.
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CPLT 137 - Passions,Apparitions,and Automata
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CPLT 138: From Expressionism to Epic Theatre:Benn,Brecht,Kafka,and the Bauhaus
4.00 Credits
University of California-Riverside
Lecture, 3 hours; screening, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Introduction of the German avant-garde of the twentieth century. Explores expressionism, New Objectivity, the Bauhaus movement, the manifestation of an anti-art in dadaism, and Epic Theatre. Studies works of Franz Kafka in the context of his implicit criticism of the avant-gardist movements of his time. Course is conducted in English. Cross-listed with AHS 121, EUR 138, GER 138, and MCS 182.
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CPLT 138 - From Expressionism to Epic Theatre:Benn,Brecht,Kafka,and the Bauhaus
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CPLT 140: Italian Renaissance Texts and Contexts
4.00 Credits
University of California-Riverside
Lecture, 3 hours; extra reading, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Explores changes in notions of space, time, religion, economics, history, politics, art, gender, and sexuality through an interdisciplinary consideration of verbal and visual texts. Readings are of Petrarch, Boccaccio, Veronica Franco, Gaspara Stampa, Machiavelli, Castiglione, Ariosto, Benvenuto Cellini, Marco Polo, Cristoforo Colombo. Presents slides of relevant architecture and visual images. Cross-listed with ITAL 140.
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CPLT 140 - Italian Renaissance Texts and Contexts
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