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Course Criteria
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6.00 Credits
In this workshop, students direct a significant short film or video in collaboration with students from other concentrations. Emphasis is on visual and aural realization from a screenplay to affect an audience through dramatic screen presentation. Student directors take creative leadership of their project in collaboration with the producer. The ability to incorporate and maximize the value of contributions made by the cinematographers, editors, and other specialists will be assessed. Directors will create storyboards and shotlists, cast performers, participate in pre-production and production meetings, execute shooting within set production parameters, and supervise editing to a rough cut. They will be expected to continue with the project until delivery of a complete master ready for exhibition on either film or a broadcast video format. 6 CREDIT S PREREQUISITES: PERMISSION OF THE INSTRUCTOR
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6.00 Credits
In this advanced directing course, each student will direct, stage, and shoot two scenes. Each live scene is presented in class, critiqued, discussed, and reworked. The scenes are then shot on location and edited for further class critique. 6 CREDIT S PREREQUISITES: 24-3302 DIRECTING II, PERMISSION OF THE INSTRUCTOR
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3.00 Credits
An independent project is designed by the student, with the approval of a supervising faculty member, to pursue directing projects beyond the scope of the directing course of study. Students must complete a rigorous application process prior to enrollment. PREREQUISITES: 24-2301 DIRECTING I, COMPLETED APPLICATION AND DEPARTMENT APPROVAL
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6.00 Credits
In this workshop, students are partnered with other practicum students including directors, producers, cinematographers, production designers, and others to produce a significant short film or video. Editing students continue to develop their skills in the editing room to tell a complete narrative story and to deliver postproduction materials suitable for complex sound design and mixing as well as cut lists for online editing and color correction. They will be expected to continue with the project until delivery of a complete master ready for exhibition on either film or a broadcast video format. 6 CREDIT S PREREQUISITES: 24-2402 EDITING II AND ONE OF THE FOLLOWING: 24-4408 EDITING II, 24-4406 EDIT SEMINAR OR 24-4424 AVID ONLINE
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3.00 Credits
This class explores strategies for the conforming and mastering of film projects. Students learn color correction, compositing, image stabilization and scratch and dirt removal with the Avid Symphony digital editing system. The editor/client relationship will be emphasized, as students will perform an on-line of a Practicum film in consultation with off-line Editors, Producers, Directors and Cinematographers. 3 CREDIT S PREREQUISITES: 24-4428 ADVANCED EDITING: AVID ONLINE
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3.00 Credits
Using mostly primary texts, the course examines and interrogates some of the basic concepts of contemporary film and video studies. The course focuses on four areas: journalistic criticism, historiography and applied historical writing, film theory, and current trends in all the foregoing areas. Students will read original texts and write papers that demonstrate their understanding of them. The assignments will include short responses to the readings, as well as extended papers that analyze and critique the readings. Student will be encouraged as the course progresses to choose an area of special interest to explore in a term paper or extended application of the material. 3 CREDIT S PREREQUISITES: 24-2500 FILM STUDIES I
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3.00 Credits
This detailed, specific analysis breaks down to great films into their component parts in order to discover their visual strategy. Films paired for examination in prior years have included Citizen Kane with Bonnie and Clyde and Klute with The Magnificent Ambersons. This course may be repeated as featured films change. 3 CREDIT S PREREQUISITES: 24-24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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3.00 Credits
This course explores the production team and the role of the line producer, unit production manager, production manager and assistant directors in managing the physical production process of producing a film. This process will include budgeting and scheduling, and managing cast, crew and vendor relationships. Additional team members are examined, including the roles of the casting director, location manager, production coordinator, and script supervisor. The post-production supervisor position is discussed including post-production scheduling, budgeting, and meeting delivery requirements for distribution and film festivals. 3 CREDIT S PREREQUISITES: 24-24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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3.00 Credits
The course will focus on the Casting Director's role as a facilitator of (and creative collaborator) in casting for filmed entertainment. This instruction will entail the full range of affairs between Casting Director and Director during the auditioning phase and a comprehensive look at hiring actors, contract negotiations, actor representation and the Screen Actors Guild. 3 CREDIT S PREREQUISITES: 24-3600 PRODUCTING I OR 24-2301 DIRECTING I
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2.00 Credits
Students will examine the casting process from packaging a film to production. Creative casting will be explored as a necessary preparatory process undertaken by casting directors, directors, and producers. Script roles must be embellished and further defined through this director-producer-CD collaboration, which yields a set of aesthetic parameters for auditioning actors and their associated performances. The workshop will give the successful student an understanding of how to recruit actors through promotion, communication with agents and managers, and the rigor of in-person auditions. A comprehensive look at auditioning will include creation of sides, assessment of script readings, and monologues and callbacks. Students will also focus on hiring both non-SAG and SAG actors and how to negotiate actor work-for-hire agreements. 2 CREDIT S
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