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Course Criteria
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1.00 Credits
Studio course in which students are expected to produce a small series of closely related sculptural projects with an eye towards architectural concerns. Investigations into the making of objects and structures in human scale, set within a general context of engineering and the capturing or inhabiting of space. Programmatic considerations of site, shape, light, proportion, strength, tactility, spatial sequence and the surround. Instructor consent required. Prerequisite: ARTSVIS 110 or equivalent. Instructor consent required. Instructor: Staff
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1.00 Credits
Examination of critical concepts in arts of the moving image from various perspectives. Spanning both traditional cinema and emergent fields. Emphasis on technology in relation to history and viewership. Exercises in film and digital production as well as theoretical writing. Instructor: Kaul
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1.00 Credits
Theory and practice of documentary photography in a small-town context. Students working in collaboration with one nearby small town complete a documentary photographic study of one individual or group within that town. Includes analysis of the documentary tradition, particularly as it relates to locally situated work and to selected individual projects; building visual narrative, developing honest relationships with subjects, responsibility to subjects and their communities, and engaging with and portraying a community as an outsider. Photo elicitation and editing techniques. Consent of instructor required. Required participation in service learning. Instructor: Post-Rust
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1.00 Credits
Projects differ by section. Instructor: Staff
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1.00 Credits
The process of designing costumes for the stage beginning with the fundamentals of design and the language of clothing. Reading of plays as basis for analysis and interpretation of text and character, conceptualization of design ideas, and directions for design research. Weekly lab providing experience with and an understanding of costume construction theory and methodology, including the use of costume shop tools and equipment. Instructor: Staff
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1.00 Credits
Study of theory and methodology of set design for stage through examination of historical and contemporary stage design as well as conceptualization, research, and development of design solutions for assigned plays. Instructor: Staff
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1.00 Credits
Introduction to the process and practice of lighting design for the theater. Focus on text analysis, research, design process, instrumentation, control, color, design documents, and realization of designs in the theater. Includes the study of principles and practices, labs in design imagery, and projects in lighting design. Prior experience in theater production required. Instructor: Staff
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1.00 Credits
Intensive production courses with visiting filmmaker. Topics vary by semester. May be taken twice. Instructor: Staff
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1.00 Credits
Experimentation with various media; mastering animation techniques such as metamorphosis, timing, articulation, storytelling, sound design, special effects, and camera. Each student to produce a one-minute animated film on the Oxberry 16mm film animation stand. Not open to students who have taken this course as FVD 102S. Instructor: Burns
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1.00 Credits
Concentration on selected media primarily two-dimensional but including three dimensional forms. Animation camera including camera effects, motion analysis, and effects animation. American studio styles compared to independent artist animators. Instructor: Burns
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