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  • 3.00 Credits

    Prerequisite: ART 111 The student will explore a wide range of low-toxic printmaking processes including polymer plate etching, polyester plate lithography, and traditional dry point intaglio. Conceptual and technical assignments along with an historical and contemporary context will lead students to achieving personal aesthetic goals. There will also be an introduction to digital applications in printmaking.
  • 3.00 Credits

    Prerequisite: ART 106, ART 111, ART 206, or ART 260 This advanced course applies creativity, ritual, emotional attachments to nature, insight, and technique to a tangible yet ephemeral vision balancing nature's elemental resources with deeper human understanding. Environmental and ecological art-using natural materials as a response to nature and making art designed to mitigate environmental problems-spring from nature's basicelements. After surveying historical examples ranging from indigenous art of Native American peoples, the Earthwork projects of the 1970s to the ecologically restorative work of environmental artists of recent decades, students will work to create an outdoor work of art using nature as a medium, leaving no trace. Liberal Education: Fine Arts and Environmental Perspectives.
  • 3.00 Credits

    Prerequisite: ART 210 A continuation of Painting I with special emphasis of advanced problems of painting. Greater awareness of social messages and environmental themes will be encouraged as well as a concentrated effort on the development of personal style.
  • 3.00 Credits

    Prerequisite: ART 220 This is a continuation of ART 220 with additional emphasis on glaze formulation.
  • 3.00 Credits

    Prerequisite: ART 260 Artists who delight in process as much as product glean from past experimental insight as they work toward future creative projects. This course will explore a variety of alternative processes photographers have attempted and, to various degrees, perfected. These may include pinhole and toy cameras, hand-applied emulsions, image transfer, and such processes as gum-biochromate, cyanotype, or albumen (among other negative and positive choices). Historical context will mix with hands-on experimentation as students research, design, review, make images, and work with alternative photo processes.
  • 3.00 Credits

    Prerequisite: ART 260 Students will refine film processing and print enlarging skills by working with exhibition-quality fiber-based papers resulting in a finished portfolio of fine arts prints. Students will develop a conceptual theme for their portfolio, refine shooting and developing skills, and critique interim proofs. Students must supply camera, film, and paper.
  • 3.00 Credits

    Prerequisite: ART 270 A course in which students choose one area from ART 270 and proceed to make a deeper exploration of it, resulting in a creative statement as well as a reasonable level of technical mastery over the discipline.
  • 1.00 - 3.00 Credits

    Prerequisite: Instructor Consent Guided independent studio work in each of the two- and three-dimensional subject areas. Prerequisite: Completion of all other courses offered in subject area. Materials fee.
  • 1.00 - 3.00 Credits

    An exhibition, portfolio and written statement reflective of the development of individual art student.
  • 4.00 Credits

    Prerequisite: CHM 220 An introduction to biochemistry exploring four major biochemical themes: the nature and synthesis of proteins, pathway regulation and integration, energy flux, and information transmission. Computer data analysis will also be introduced for predicting biochemical structure and classifying protein sequences. Note: This course does not cover nucleic acid chemistry or molecular genetics. Lab fee.
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