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  • FAR 171: INTRODUCTION TO SCULPTURE

    3.00 Credits
    Kutztown University of Pennsylvania

    Basic experiences in conceiving and creating three dimensional and sculptural forms in various media. Emphasis is placed on acquiring a firm knowledge of materials and techniques necessary for creating sculptural works of art. Minimum of three hours of work outside the classroom required.
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  • FAR 182: INTRO TO TIME-BASED MEDIA

    3.00 Credits
    Kutztown University of Pennsylvania

    This course provides an introduction to the creation of images through computer-based technologies. During the course students will not only learn the use and basic capabilities of both still and time-based digital image-making equipment and software, they will also explore the unique ways in which computers facilitate artistic expression. Students will be introduced to art works, artists, alternative-viewing sites, cyber communities, aesthetics and criticism related to digital art. They will also consider digital tools as part of a continuum of technological innovation in the visual arts. This course serves as an introduction to digital media and prepares students for advanced digital art courses and other courses requiring a basic familiarity with these media. A minimum of 3 hours of work outside of class is required per week. (6 c.h., 3 s.h.)
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  • FAR 210: PROFESSIONAL PRACTICES

    3.00 Credits
    Kutztown University of Pennsylvania

    This course bridges the gap between the production of art and the business of art. This course will reinforce the development of a cohesive portfolio and provide students with practical skills applicable to the professional art world. Course material addresses writing about and presenting artistic work, developing a high-quality digital image portfolio, applying for opportunities and grants, preparing for graduate school, and developing a web presence through a website and social media. It will also address areas of professional concern such as economics and studio safety. Class time will be dedicated to lectures, demonstrations, field trips, consultations, and presentations in a studio situation.
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  • FAR 221: TOPICS IN DRAWING II

    3.00 Credits
    Kutztown University of Pennsylvania

    This is an advanced drawing course for in-depth study of a single area of contemporary or historical drawing practice. Representative areas of inquiry include: color and the figure; the artist's sketchbook; digital drawing; mixed media and collage; contemporary landscape; experimental drawing; anatomy for the artist; and others. Within each umbrella topic, a range of techniques, concepts, and subject matter will be explored. Students will become more fully fluent in the aesthetic concepts associated with a specific topic and develop methods of presentation based on professional practices. Students will also expand their skills with drawing techniques and materials, and learn tools to articulate their ideas. Primary emphasis is on the development of an individual direction within the context of historical and contemporary techniques, ideas and images in drawing. Course can be repeated for credit and will count toward the drawing or printmaking concentration.
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  • FAR 222: TOPICS IN DRAWING III

    3.00 Credits
    Kutztown University of Pennsylvania

    This is an advanced drawing course for in-depth study of a single area of contemporary or historical drawing practice. Representative areas of inquiry include: color and the figure; the artist's sketchbook; digital drawing; mixed media and collage; contemporary landscape; experimental drawing; anatomy for the artist; and others. Within each umbrella topic, a range of techniques, concepts, and subject matter will be explored. Students will become more fully fluent in the aesthetic concepts associated with a specific topic and develop methods of presentation based on professional practices. Students will also expand their skills with drawing techniques and materials, and learn tools to articulate their ideas. Primary emphasis is on the development of an individual direction within the context of historical and contemporary techniques, ideas and images in drawing. Course can be repeated for credit and will count toward the drawing or printmaking concentration.
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  • FAR 223: TOPICS IN DRAWING IV

    3.00 Credits
    Kutztown University of Pennsylvania

    This is an advanced drawing course for in-depth study of a single area of contemporary or historical drawing practice. Representative areas of inquiry include: color and the figure; the artist's sketchbook; digital drawing; mixed media and collage; contemporary landscape; experimental drawing; anatomy for the artist; and others. Within each umbrella topic, a range of techniques, concepts, and subject matter will be explored. Students will become more fully fluent in the aesthetic concepts associated with a specific topic and develop methods of presentation based on professional practices. Students will also expand their skills with drawing techniques and materials, and learn tools to articulate their ideas. Primary emphasis is on the development of an individual direction within the context of historical and contemporary techniques, ideas and images in drawing. Course can be repeated for credit and will count toward the drawing or printmaking concentration.
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  • FAR 224: TOPICS IN DRAWING V

    3.00 Credits
    Kutztown University of Pennsylvania

    This is an advanced drawing course for in-depth study of a single area of contemporary or historical drawing practice. Representative areas of inquiry include: color and the figure; the artist's sketchbook; digital drawing; mixed media and collage; contemporary landscape; experimental drawing; anatomy for the artist; and others. Within each umbrella topic, a range of techniques, concepts, and subject matter will be explored. Students will become more fully fluent in the aesthetic concepts associated with a specific topic and develop methods of presentation based on professional practices. Students will also expand their skills with drawing techniques and materials, and learn tools to articulate their ideas. Primary emphasis is on the development of an individual direction within the context of historical and contemporary techniques, ideas and images in drawing. Course can be repeated for credit and will count toward the drawing or printmaking concentration.
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  • FAR 225: TOPICS IN DRAWING VI

    3.00 Credits
    Kutztown University of Pennsylvania

    This is an advanced drawing course for in-depth study of a single area of contemporary or historical drawing practice. Representative areas of inquiry include: color and the figure; the artist's sketchbook; digital drawing; mixed media and collage; contemporary landscape; experimental drawing; anatomy for the artist; and others. Within each umbrella topic, a range of techniques, concepts, and subject matter will be explored. Students will become more fully fluent in the aesthetic concepts associated with a specific topic and develop methods of presentation based on professional practices. Students will also expand their skills with drawing techniques and materials, and learn tools to articulate their ideas. Primary emphasis is on the development of an individual direction within the context of historical and contemporary techniques, ideas and images in drawing. Course can be repeated for credit and will count toward the drawing or printmaking concentration.
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  • FAR 307: THE VISUAL JOURNAL/ABROAD

    3.00 Credits
    Kutztown University of Pennsylvania

    This is an off-campus class that will be taught while traveling abroad. It is a hands-on course. Each student will complete a portfolio of artwork documenting his or her personal response to the travel experience. Through direct observation, students will explore their personal relationship with the destination, and construct a meaningful document of their travels. Students will have the opportunity to see firsthand the work of artists and designers from other cultures. The course will include guided gallery and museum visits. (This course is also offered under the following designations: CDE 307, FAR 307, CFT 307.) [6 ch 3 sh]
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  • FAR 309: PHOTOGRAVURE & POLYMER PRINT

    3.00 Credits
    Kutztown University of Pennsylvania

    Photogravure, popularized in the 19th century allowed for the first mass-produced photographic images. The history of Photogravure includes photo-manipulation, drawing, books, newspapers, and propaganda. The invention of polymer plates capable of achieving the wider range of tones original only produced by copper-plate etching has generated a renaissance of the Photogravure method, in both photography and drawing. Students will explore photographic, computer-aided, and hand drawing techniques. Learn how to go build and print digital negatives in the computer lab, make advanced UV exposure calculations using the zone system, and then continuing to on to printmaking press facilities. Taught through the historic lens of Photogravure this advanced studio course is open to all students interested in immersing themselves in the investigation and creation of 'direct to plate 'Intaglio printmaking.
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