Course Criteria

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  • 4.00 Credits

    To learn about human biology and behavior, researchers often use people as research subjects. Although such research has produced many social benefits, it sometimes comes at a cost to study participants. In this course, you will weigh the costs and benefits of a controversial psychological study, take a psychological approach to understanding why unethical research practices occur, and consider how research can be done to maximize its impact while minimizing the risks to human participants.
  • 4.00 Credits

    To learn about human biology and behavior, researchers often use people as research subjects. Although such research has produced many social benefits, it sometimes comes at a cost to study participants. In this course, you will weigh the costs and benefits of a controversial psychological study, take a psychological approach to understanding why unethical research practices occur, and consider how research can be done to maximize its impact while minimizing the risks to human participants.
  • 4.00 Credits

    To learn about human biology and behavior, researchers often use people as research subjects. Although such research has produced many social benefits, it sometimes comes at a cost to study participants. In this course, you will weigh the costs and benefits of a controversial psychological study, take a psychological approach to understanding why unethical research practices occur, and consider how research can be done to maximize its impact while minimizing the risks to human participants.
  • 4.00 Credits

    How do literary works and films frame landscape so as to tell stories of the self and the nation? We'll begin by close reading the topographical themes and imagery of British poetry about World War I. Next, we'll view the iconic American film Oklahoma! through the lens of historical arguments about the frontier's role in forging the American character. Finally, you'll develop your own research topic pertaining to fiction or films about the American suburb.
  • 4.00 Credits

    How do literary works and films frame landscape so as to tell stories of the self and the nation? We'll begin by close reading the topographical themes and imagery of British poetry about World War I. Next, we'll view the iconic American film Oklahoma! through the lens of historical arguments about the frontier's role in forging the American character. Finally, you'll develop your own research topic pertaining to fiction or films about the American suburb.
  • 4.00 Credits

    How do literary works and films frame landscape so as to tell stories of the self and the nation? We'll begin by close reading the topographical themes and imagery of British poetry about World War I. Next, we'll view the iconic American film Oklahoma! through the lens of historical arguments about the frontier's role in forging the American character. Finally, you'll develop your own research topic pertaining to fiction or films about the American suburb.
  • 4.00 Credits

    How do literary works and films frame landscape so as to tell stories of the self and the nation? We'll begin by close reading the topographical themes and imagery of British poetry about World War I. Next, we'll view the iconic American film Oklahoma! through the lens of historical arguments about the frontier's role in forging the American character. Finally, you'll develop your own research topic pertaining to fiction or films about the American suburb.
  • 4.00 Credits

    This course will examine representations of Jews in American culture and the evolution of Jewish-American culture since World War II, as well as how shifts in the cultural conversation about minorities in America have affected our understanding of Jewish identity. We will question how recent works of literature, art, film, and television challenge and reinforce Jewish stereotypes, and how they continue to shape our ideas about assimilation, the Holocaust, ethnicity, and religious practice in America.
  • 4.00 Credits

    The Sixth Commandment is succinct: "Thou shalt not commit murder." And yet descriptions of murder feature prominently in Western literature and culture. Why are we so engaged by the telling of these grim tales, and what is at stake in their being told? By analyzing the challenges of shaping coherent narratives around incomprehensible acts, this course examines the ethical and aesthetic implications of mediating a phenomenon as elusive, and terrifyingly actual, as murder.
  • 4.00 Credits

    The Sixth Commandment is succinct: "Thou shalt not commit murder." And yet descriptions of murder feature prominently in Western literature and culture. Why are we so engaged by the telling of these grim tales, and what is at stake in their being told? By analyzing the challenges of shaping coherent narratives around incomprehensible acts, this course examines the ethical and aesthetic implications of mediating a phenomenon as elusive, and terrifyingly actual, as murder.
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