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Course Criteria
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3.00 Credits
Saidel, DeGrazia The dominant movements of 20th-century Anglo-American philosophy, in- cluding logical positivism, British ordinary language philosophy, and neopragmatism, as represented by Russell, G.E. Moore, Wittgenstein, Ayer, Quine, Kripke et al. Prerequisite: one other 100-level philosophy course (Phil 112 and 121 recommended). (Fall)
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3.00 Credits
Weiss, Caws An intensive exploration of the ontological and existential philosophies of Kierkegaard, Bergson, Husserl, Heidegger, Sartre, Merleau-Ponty, de Beauvoir, and Camus. Prerequisite: One other 100-level philosophy course. (Spring)
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3.00 Credits
Staff Variable topics in ethics, political philosophy, aesthetics, and other subfields in normative philosophy. Prerequisite: one 100-level course on related subject matter or permission of the instructor.
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3.00 Credits
Staff Variable topics in epistemology, philosophy of science and mathematics, philosophy of mind, and similar subfields. Prerequisite: one 100-level course on related subject matter or permission of the instructor.
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3.00 Credits
Staff Variable topics; preparation and presentation of a major research paper. Open only to philosophy majors in the senior year as approved by major advisor. (Fall and spring)
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3.00 Credits
Staff (Fall and spring)
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3.00 Credits
Friend, Saidel, and Staff Introduction to informal logic, scientific argument, and formal logic. The informal logic component focuses on fallacies of reasoning and practical applications of logic. The formal logic component focuses on translation from English into propositional logic, truth tables, and proofs in propositional logic. (Fall, spring, and summer)
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3.00 Credits
Zawidzki and Staff Readings from major philosophers and study of their positions on the most basic questions of human life. Topics include such issues as: What is justice? What is knowledge? What is reality? Does God exist? What is the mind? Do humans have free will? (Fall, spring, and summer)
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3.00 Credits
Caws Philosophical problems and theories of perception, meaning, personal identity, and moral agency and their illustration in the context of cinema. Cinema and its derivatives (TV, video) as prime routes to experience of the natural and social worlds in an age of communication. Readings in classical and contemporary philosophy and in film theory; screening of a series of films. (Spring)
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3.00 Credits
Caws See the University Professors course listing.
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