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COM 462: Music Technology II
3.00 Credits
University of Hartford
Introduction to MIDI theory, sequencing, and digital audio through the use of Digital Performer and a variety of software synthesizers and signalprocessor plug-ins. Special emphasis on the composition of a variety of pieces in varied styles through the use of the available technolComposition ogy. Class lectures, demonstrations, and extensive laboratory work in the electronic music studio. Laboratory fee.
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COM 462 - Music Technology II
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COM 463: Music Technology III
3.00 Credits
University of Hartford
Directed independent composition or research projects utilizing the facilities of the music technology studios. Prerequisite: COM 462 or permission of instructor. Laboratory fee.
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COM 463 - Music Technology III
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COM 466: Introduction to Computer Music
3.00 Credits
University of Hartford
Introduction to fundamentals of digital synthesis, sound editing, sampling, and aesthetic issues of electronic and computer-aided music composition. Topics include construction of timbres using sampling, editing, signal processing, various kinds of synthesis, and interactive composition. Includes introduction to ProTools, Metasynth, Unity Session, and other computer applications. Prerequisite: COM 461 or 462, or permission of instructor. Laboratory fee.
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COM 466 - Introduction to Computer Music
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COM 468: Scoring for Film,TV,and Video
3.00 Credits
University of Hartford
This course is for composers who are interested in writing music for film and video. Students study the technical aspects of film scoring, including synchronization, SMPTE code, click tracks, stopwatch and free timing, spotting procedures, orchestration, and music software. The aesthetics of film music are studied, and major film scores, past and present, are analyzed. In addition, there is an exploration of the business aspects of film scoring. Prerequisite: COM 462 or permission of instructor.
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COM 468 - Scoring for Film,TV,and Video
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COM 470,471: Composers' Seminar
0.00 Credits
University of Hartford
A forum for students to discuss issues related to their compositional activities. Topics include new compositions and contemporary composers, the role of the composer in contemporary society, issues of aesthetics and style, and the workings of professional organizations that support composers (e.g., universities, foundations, performing organizations, licensing organizations, etc.). Students have the opportunity to speak with professional composers who will be guests. Composition majors (except doctoral students) are required to enroll every semester. For Undergraduate and Graduate Students
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COM 470,471 - Composers' Seminar
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COM 472,473: Composers' Ensemble
0.50 Credits
University of Hartford
This ensemble is required for junior and senior composition majors who are not enrolled in any other ensemble. It is also open to other students with permission of the instructor. Students rehearse existing repertoire as well as new pieces composed by members of the ensemble. Students plan, rehearse, and present one public presentation per semester.
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COM 472,473 - Composers' Ensemble
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COM 510: Scoring for Wind Ensembles
3.00 Credits
University of Hartford
Students learn effective scoring techniques for large ensembles of wind and percussion instruments, known variously as wind ensembles, wind symphonies, concert bands, and symphonic bands. Essential to the course is intensive score study of the wind band literature of the past hundred years. Students gain experience and skill through directed scoring assignments. Prerequisite: COM 340 or TH 245.
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COM 510 - Scoring for Wind Ensembles
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COM 580,581: Independent Study in Composition
1.00 - 3.00 Credits
University of Hartford
An independent study project conducted under the direction of an assigned faculty member. Credit determined by scope and nature of project.
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COM 580,581 - Independent Study in Composition
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COM 590,591: Special Topics in Composition
1.00 - 3.00 Credits
University of Hartford
Selected topics in composition, varying yearly with needs of curriculum and availability of particular faculty. Credit determined by scope and nature of work required.
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COM 590,591 - Special Topics in Composition
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CON 314: Conducting Fundamentals
2.00 Credits
University of Hartford
General introduction to the history and art of conducting. Consideration of fundamental factors in the reading of choral and orchestral scores. Basic patterns for different time signatures, problems of agogics and dynamics, changes of rhythm and tempo. Two hours weekly. Prerequisite: TH 111.
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CON 314 - Conducting Fundamentals
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