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Course Criteria
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3.00 Credits
2] The second course in musicianship skills using Kodály materials. Practice in pentatonic and diatonic systems, introduction of triadic practice in singing and recognition of harmonic functions. Further emphasis on vocal intonation and part singing including chromaticism. Melodic and harmonic dictation using all of the foregoing elements. Three hours weekly. Prerequisite: TH 120 or placement exam.
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2.00 Credits
The first course in music theory and ear training for students in B.F.A. in dance. Instruction in the fundamentals of music theory and sight singing. Notation of rhythm and pitch. Construction and identification of intervals, scales, and triads. Emphasis on rhythmic-metric patterns used in dance. Three hours weekly.
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2.00 Credits
The second course in music theory and ear training for students in B.F.A. in dance. Continuation of instruction in the fundamentals of music theory and sight singing. Notation of rhythm and pitch. Construction and identification of intervals, scales, and triads. Emphasis on rhythmic-metric patterns used in dance. Three hours weekly. Prerequisite: TH 130 or equivalent.
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2.00 Credits
The first course in form and analysis, covering the forms of tonal music. Topics include phrase, binary, ternary, sonata, rondo forms, variation, and fugue. Study of examples from the classic and popular music literatures. Three hours weekly. Prerequisite: TH 112 or placement exam.
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2.00 Credits
The second course in form and analysis, covering the materials and procedures of 20th-century music. Topics include tonal, modal, and 12-tone procedures; rhythmic, metric, textural, timbral, and formal innovations. Analysis of music from the classic and popular music literatures. Three hours weekly. Prerequisite: TH 210 or placement exam.
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3.00 Credits
2] The third course in musicianship skills using Kodály materials. Practice in singing three and four parts and dictation of four-voice chorales. Introduction of C clefs, transposition, and aural identification of diatonic harmonic functions. Three hours weekly. Prerequisite: TH 121 or placement exam.
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3.00 Credits
2] The fourth course in musicianship skills using Kodály materials. Sight singing and dictation in modal and classical styles using four parts, changing meters, and modulations. Harmonic identification and dictation using secondary dominants. Open-score chorales in original notation. Three hours weekly. Prerequisite: TH 220 or placement exam.
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2.00 Credits
The fifth course in musicianship skills using Kodály materials. Advanced work in sight singing, dictation, and harmonic identification using both relative solmization and traditional solfège. Emphasis on 16th-century polyphony and 20thcentury compositions. Open-score reading in all clefs of Bach chorales. Chromatic vocal canons of Haydn and Mozart. Further use of two- and three-part vocal works of Kodály. Three hours weekly. Prerequisite: TH 221 or placement exam.
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2.00 Credits
The sixth course in musicianship skills using Kodály materials. Harmonic and structural analysis of modal and functional harmonies using both traditional solfège and relative solmization. Vocal works of Palestrina, Bach, Bartók, Stravinsky, and representative pieces of Haydn, Mozart, and Brahms. Melodic, harmonic, and polyphonic dictation in all styles. Three hours weekly. Prerequisite: TH 320 or placement exam.
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2.00 Credits
Applied harmony at the keyboard, specializing in the traditional techniques of figured bass realization, melody harmonization, diatonic and chromatic modulation in four-part playing. Two hours weekly. Prerequisites: TH 211 and sufficient piano skills.
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