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Course Criteria
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9.00 - 25.00 Credits
Studio work in technical theatre and/or acting, required for the major. Work covers a specific departmental production over a span of 2 blocks. Sub-heading indicates type of work and title of the production. (Not offered 2008-09.) .25 unit.
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9.00 - 25.00 Credits
Studio work in technical thea tre and/or acting, required for the major. Work covers a specific departmental production over a span of 2 blocks. Sub-heading indicates type of work and title of the production. (Not offered 2008-09.) .25 unit.
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9.00 - 25.00 Credits
Studio work in technical theatre and/or acting, required for the major. Work covers a specific departmental production over a span of 2 blocks. Sub-heading indicates type of work and title of the production. (Not offered 2008-09.) .25 unit.
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9.00 - 25.00 Credits
Studio work in technical theatre and/or acting, required for the major. Work covers a specific departmental production over a span of 2 blocks. Sub-heading indicates type of work and title of the production. (Not offered 2008-09.) .25 unit.
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1.00 - 9.00 Credits
(Not offered 2008-09.) 1 unit.
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1.00 Credits
Block 5: Origins and Early Forms of Theatre. This course will examine the evolution of ancient theater and the relationships between theory and poetics of drama from Greece to Rome. Among our concerns will be the relationship between comedy and tragedy, both in dramatic form, and in spirit. We will also be concerned with myth-making, and matters of historical perspective, in particular the social and political situations that see the flourishing of either genre, comic or tragic. Extensive readings in representative authors of ancient drama and poetics. Readings may include Aeschylus, Sophocles, Euripides, Menandez, Plato, Aristotle, Horace, Plautus, Terence, and Nietzsche. (Also listed as Classics 219 and Comparative Literature 200.) 1 unit - Hughes.
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1.00 Credits
1 unit - Lindblade.
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1.00 - 9.00 Credits
(Not offered 2008-09.) 1 unit.
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1.00 Credits
Block 2: Modern Theatre. A study of the 20th-century movements in playwriting and theatre practice. Topics will include realism (Ibsen, Strindberg, Chekhov) and the revolts against it, such as the work of Brecht, Artaud, Pirandello, and various artists of "alternative" theatre. (Also listed as Comparative Literature 200.) 1 unit - Lindblade.
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1.00 Credits
Using an interdisciplinary arts approach, investigates varied performance aesthetics, theory and practices of the later 20th and early 21st century with a focus on the American experience, new and disenfranchised voices, and hybrid genres in the arts. Considers perspectives in music, dance, directing, multimedia, and of theorists and playwrights. Disillusionment of the post-WWII era, voices of protest, agitation/propaganda, performance art, and identity politics; Gay, Lesbian, Bi-sexual and Transgender performance, race relations, and the feminist aesthetic. Block 1: Contemporary Performance 1950-Present. Using an interdisciplinary arts approach, investigates varied performance aesthetics, theory, and practices of the later 20th and early 21st century with a focus on the American experience, new and disenfranchised voices, and hybrid genres in the arts; Considers perspectives in music, dance, directing, multimedia, and of theorists and playwrights. Disillusionment of the post-WWII era, voices of protest, agitation/propaganda, performance art, and identity politics: Gay, lesbian, bisexual, and transgender performance, race relations, and the feminist aesthetic. (Meets the Critical Perspectives: Diverse Cultures and Critiques requirement.) (Also listed as American Cultural Studies 200 and Dance Theory 224.) 1 unit - Sifuentes.
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