Course Criteria

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  • 3.00 Credits

    Students in this course will have the opportunity to develop numerous performance, production, and arts management skills through the presentation of both faculty and student-choreographed works at local schools and organizations. The troupe seeks to actively promote the appreciation of dance and to foster a sense of discipline, artistic integrity, and community outreach among its student members. Extended Format, Blocks 1-8. Prerequisite: Consent of instructor and Extended Format, Blocks 1-8. (Not offered 2008-09.) 1 unit.
  • 1.00 - 9.00 Credits

    Practical implementation of technology in contemporary performance production. Critical analysis of the history of technology and interactivity in performance. Creation of original performance work using a variety of media within a variety of venues: video, animation, sound, music, dance, theatre, storytelling, spoken-word, and/or any representation of self or virtual self. Work will be presented as site-specific pieces, as performance installations, as online performances, and in traditional venues. (Not offered 2008-09.) 1 unit.
  • 3.00 Credits

    Prerequisite: Majors or consent of instructor. 1 unit - Berg, Herminjard, Wang-Chen.
  • 1.00 - 9.00 Credits

    (Not offered 2008-09.) 1 unit.
  • 3.00 Credits

    Development of performance and rehearsal techniques through choreographic forms. Repertory works from faculty, labanotation scores, or guest choreographers will be set on students for performance. Prerequisite: Consent of instructor and EXTENDED FORMAT 1-8. 1 unit - Department, Herminjard, Mercer, Wang-Chen.
  • 2.00 Credits

    Surveys performance in the Western tradition from ancient sacred ritual to contemporary performance art. Chronological, thematic and theoretical study of Greek theatre and Roman spectacle, the medieval masque and revelry, Lully's ballets and Moliere's plays, and Renaissance public forms of performance. Considers notions of class, genre, industrialization, and expression in 19th century dance and drama, including realism and the revolt against established forms. Introduces elements of technology, reproduction, and multimedia forms in the late 19th and early 20th centuries. Considers film, installation, and early performance art as critical additions to performance. Creative projects and field trips augment the course. 2 units-Lindblade, Sifuentes. (Meets the Critical Perspectives: The West in Time requirement.) (Also listed as Dance Theory 100.) 2 units - Lindblade, Sifuentes.
  • 1.00 - 9.00 Credits

    This course examines the various "languages" that are used in performance arts, the peculiarity and specificity of their syntax, and how they convey meaning to an audience. The course concentrates upon the institutional, sociological, semiotic, and psychological parameters of performance in general and the questions that performance generates for a society. This course will first look at the established conventions of music, drama, and dance performance as they occur in the West, and subsequently draw comparisons with performances as they occur in the non-European cultures. (Not offered 2008-09.) 1 unit.
  • 18.10 Credits

    Work on basic acting skills through observation, improvisation, physical and vocal preparation, and the basics of Stanislavski's theories. The emphasis is on exercises and games that release the imagine and instinct of the performer with the aim of giving everyone the means to approach any role. Work will culminate with scripted scenes and a group presentation. Limited to 18. 1 unit - Frugia, Sifuentes.
  • 3.00 Credits

    Basic technical theatre - its vocabulary, theory, and application - and its relationship to sets, lights, and costumes. Computer use for technical theatre, safety parameters, and basic board operation. Laboratory requirement: Participation in one stage production. Limited to 14. Prerequisite: Requires participation in one stage production. (Not offered 2008-09.) 1 unit.
  • 3.00 Credits

    Basic theatrical design - its vocabulary, drafting, theory, and application - taught in a historical and practical approach. Scene, lighting, properties, makeup, and costume designs will be covered. Computer use for theatrical design, including WYSIWYG, Minicad, and Sound Forge. Laboratory requirement: Participation in one stage production. Limited to 14. Prerequisite: Requires participation in one stage production. (Not offered 2008-09.) 1 unit.
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