|
|
|
|
|
|
|
|
|
|
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
-
4.00 Credits
Advisory: Film/Television 20 or 55A; English Writing 211 and Reading 211 (or Language Arts 211), or English as a Second Language 272 and 273; Mathematics 210 or equivalent. Four hours lecture. Roles and responsibilities of the media producer. Skills and knowledge required in developing a production proposal; including development, audience analysis, location scouting, production schedule, and budgeting.
-
4.00 Credits
Advisory: English Writing 1A or English as a Second Language 5. Four hours lecture. Introduction to scriptwriting for film and video; the role of the script in media production; format and structure in the script; the basic skills of scriptwriting for fiction and nonfiction.
-
4.00 Credits
Prerequisite: Film/Television 60A. Advisory: English Writing 1A or English as a Second Language 5. Four hours lecture. Intermediate course in scriptwriting for fiction and nonfiction film and video projects; examination of structure and characterization in dramatic narrative; consideration of approach and structure in nonfiction; emphasis on development and revision of script projects.
-
4.00 Credits
Prerequisite: Film/Television 60B. Advisory: English Writing 1A or English as a Second Language 5. Four hours lecture, one additional hour to be arranged. Advanced course in scriptwriting for fiction and non-fiction film and video projects; examination of classical and experimental structures in fiction and non-fiction; further practice in the development and revision of script projects.
-
4.00 Credits
Prerequisite: Film/Television 60A. Advisory: English Writing 1A or English as a Second Language 5. Four hours lecture, one additional hour to be arranged. Scriptwriting for business and institutional film and video; structure, format, and elements of programs for information, training, marketing, and corporate communication.
-
4.00 Credits
Advisory: English Writing 211 and Reading 211 (or Language Arts 211), or English as a Second Language 272 and 273; Mathematics 212 or equivalent. Three hours lecture, three hours laboratory. Introduction to the basic principles of studio and location lighting for film, television, animated, and composited production. Focus on evaluation of the aesthetic styles and techniques of media lighting in professional production. An analysis and application of basic electricity, lighting instruments, dimming equipment, light color, media, and gaffer equipment. Practical experience in film and television productions.
-
4.00 Credits
Advisory: English Writing 211 and Reading 211 (or Language Arts 211), or English as a Second Language 272 and 273; Mathematics 212 or equivalent. Three hours lecture, three hours laboratory. Study of the art and techniques of radio, television, film and media audio recording. Emphasis on preproduction and production in studio and on location. Examines the aesthetics of design and sound mixing, the technologies of analog and digital audio, and manipulation of sound in the aural and recorded environment. Practical experience in media production.
-
4.00 Credits
Prerequisite: Film/Television 60B or 60C. Advisory: English Writing 1A or English as a Second Language 5. Four hours lecture. Fictional screenwriting geared toward the planning, outlining and structuring of an original three-act feature-length fiction screenplay and the writing of the first-act.
-
4.00 Credits
Prerequisite: Film/Television 64A. Advisory: English Writing 1A or English as a Second Language 5. Four hours lecture. An intensive seminar in writing feature-length fiction screenplays; Practice in the development and completion of a three-act narrative script focusing on plot, character development, arcs, turning points and journeys.
-
4.00 Credits
Prerequisite: Film/Television 64B. Advisory: English Writing 1A or English as a Second Language 5. Four hours lecture. An intensive workshop in the re-writing of feature-length fiction screenplays; strengthening the plot, character development, arcs, turning points and journeys; preparing the material for submission to the marketplace; pitching and strategies in breaking into the entertainment industry will be discussed.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Privacy Statement
|
Terms of Use
|
Institutional Membership Information
|
About AcademyOne
Copyright 2006 - 2024 AcademyOne, Inc.
|
|
|