[PORTALNAME]
Toggle menu
Home
Search
Search
Search Transfer Schools
Search for Course Equivalencies
Search for Exam Equivalencies
Search for Transfer Articulation Agreements
Search for Programs
Search for Courses
PA Bureau of CTE SOAR Programs
Transfer Student Center
Transfer Student Center
Adult Learners
Community College Students
High School Students
Traditional University Students
International Students
Military Learners and Veterans
About
About
Institutional information
Transfer FAQ
Register
Login
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
DNCE 171F: Ethnographic Representation of Dance on Film:"...and then they danced"
4.00 Credits
University of California-Riverside
Lecture, 3 hours;laboratory, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Analyzes the juncture between representation and presentation in everyday dance genres on film. Concerns itself with race, class, tropes of authenticity, and ownership of cultural production through screenings, lectures, and theoretical writings. No previous dance experience is required. Course is repeatable.
Share
DNCE 171F - Ethnographic Representation of Dance on Film:"...and then they danced"
Favorite
DNCE 171G: Gender,Mechanization,and Shape
4.00 Credits
University of California-Riverside
Lecture, 3 hours; screening, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Examines, primarily through film, video, and texts, the relationship between gender, mechanization, and shape during the twentieth century. Focuses on the performing arts, industrial and technological design, and visual culture's relation to changing notions of gender. Course is repeatable.
Share
DNCE 171G - Gender,Mechanization,and Shape
Favorite
DNCE 171J: Spectatorship
4.00 Credits
University of California-Riverside
Lecture, 3 hours; screening, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Explores the nature of film studies through the eyes of the audience. Uses film, videos, and texts, in addition to outside viewing of films in cinematic locales, to formulate how viewing film constructs the viewers subjectivity and the films cultural context. Course is repeatable.
Share
DNCE 171J - Spectatorship
Favorite
DNCE 171K: Interruptions as Narration:Fight Scenes,Dance Sequences,and Music Videos
4.00 Credits
University of California-Riverside
Lecture, 3 hours; laboratory, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Analyzes the deconstruction and reconstruction of the narrative arc in selected films by the insertion of "live" performancepractices, such as, but not limited to, fight scenes and dance sequences. Includes in-class and out-of-class screenings. Course is repeatable.
Share
DNCE 171K - Interruptions as Narration:Fight Scenes,Dance Sequences,and Music Videos
Favorite
DNCE 171M: Bollywood
4.00 Credits
University of California-Riverside
Lecture, 3 hours; laboratory, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. A study of the vast corpus of films that constitute the genre called Bollywood, with special attention paid to its music and dance styles. Includes weekly film screenings, audio listening, and readings. No previous dance experience is required. Course is repeatable.
Share
DNCE 171M - Bollywood
Favorite
Show comparable courses
DNCE 172: Televisual Bodies
4.00 Credits
University of California-Riverside
Lecture, 3 hours; laboratory, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Analyzes choreographic practices within television broadcast and marketing and their relation to popular culture. Also examines situational or tactical use and misuse of satellite, cablecast, and broadcast television by unintentional audiences that subsequently reconstitute themselves as communities via the programming. Attention is given to video as an archival and/or choreographic tool. J. Corporations and Corporealities: Commercials, Culture, and Choreography; K. Television as Location: The Satellite Feed; M. Music Television (MTV) and Popular Culture. Segments are repeatable.
Share
DNCE 172 - Televisual Bodies
Favorite
DNCE 173: Digitized Bodies
4.00 Credits
University of California-Riverside
Lecture, 3 hours; screening, 2 hours; laboratory, 1 hour. Prerequisite(s): MCS 020; upper-division standing or consent of instructor. Provides a theoretical approach to digital subjectivities, bodies in motion, products, and realities. Addresses issues of liveness, new media, mediated cultural identities, speed, transfer, telepresence, and coded and encoded sexuality within programming. Focuses primarily on the body-computer interface. J. Digital Games, Violence, and the Body; K. Virtual Subjectivity: Persona, Identity, and Body. Segments are repeatable.
Share
DNCE 173 - Digitized Bodies
Favorite
DNCE 180: Dance Practicum
4.00 Credits
University of California-Riverside
Studio, 8 hours. Prerequisite(s): upper-division courses in choreography or consent of instructor in unusual situations. An investigation of dance production theories and practices. Each practicum is directed experience in a limited topic, announced in advance of the quarter given, with the name of the guest instructor if it is not taught by the staff. E. Cine Dance; F. Folk Forms; G. Advanced Choreography; H. Intermedia Movement; I. Video Dance; J. Repertory; K. Reconstruction of Dances; L. Theory of Individual Choreographers; M. Dance for Children; N. Dance in Therapy; O. Improvisation; P. Role Preparation; Q. Dance Notation; R. Pedagogy; S-Z to be announced. Each segment is repeatable to a maximum of 12 units.
Share
DNCE 180 - Dance Practicum
Favorite
DNCE 187: Improvisation Studies
4.00 Credits
University of California-Riverside
Seminar, 3 hours; outside research, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Presents the emergent field of improvisation studies, moving beyond traditional genre boundaries to explore improvisation as a cultural phenomenon and social practice. Draws from jazz studies, ethnomusicology, music theory, musicology, American studies, and the histories of dance, theatre, and the visual arts. Crosslisted with MUS 187.
Share
DNCE 187 - Improvisation Studies
Favorite
DNCE 190: Special Studies
1.00 - 5.00 Credits
University of California-Riverside
To be taken with the consent of the Chair of the Department of Dance to meet special curricular problems. Course is repeatable to a maximum of 12 units.
Share
DNCE 190 - Special Studies
Favorite
First
Previous
86
87
88
89
90
Next
Last
Results Per Page:
10
20
30
40
50
Search Again
To find college, community college and university courses by keyword, enter some or all of the following, then select the Search button.
College:
(Type the name of a College, University, Exam, or Corporation)
Course Subject:
(For example: Accounting, Psychology)
Course Prefix and Number:
(For example: ACCT 101, where Course Prefix is ACCT, and Course Number is 101)
Course Title:
(For example: Introduction To Accounting)
Course Description:
(For example: Sine waves, Hemingway, or Impressionism)
Distance:
Within
5 miles
10 miles
25 miles
50 miles
100 miles
200 miles
of
Zip Code
Please enter a valid 5 or 9-digit Zip Code.
(For example: Find all institutions within 5 miles of the selected Zip Code)
State/Region:
Alabama
Alaska
American Samoa
Arizona
Arkansas
California
Colorado
Connecticut
Delaware
District of Columbia
Federated States of Micronesia
Florida
Georgia
Guam
Hawaii
Idaho
Illinois
Indiana
Iowa
Kansas
Kentucky
Louisiana
Maine
Marshall Islands
Maryland
Massachusetts
Michigan
Minnesota
Minor Outlying Islands
Mississippi
Missouri
Montana
Nebraska
Nevada
New Hampshire
New Jersey
New Mexico
New York
North Carolina
North Dakota
Northern Mariana Islands
Ohio
Oklahoma
Oregon
Palau
Pennsylvania
Puerto Rico
Rhode Island
South Carolina
South Dakota
Tennessee
Texas
Utah
Vermont
Virgin Islands
Virginia
Washington
West Virginia
Wisconsin
Wyoming
American Samoa
Guam
Northern Marianas Islands
Puerto Rico
Virgin Islands