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THEA 120B: Literature and History of the Theatre:The Elizabethan Period through the Nineteenth Century
4.00 Credits
University of California-Riverside
Lecture, 3 hours; discussion, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. Examines the literature and history of the theatre from the Elizabethan period through the nineteenth century. Focuses on analysis of representative plays, theatrical architecture, and production modes.
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THEA 120B - Literature and History of the Theatre:The Elizabethan Period through the Nineteenth Century
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THEA 120C: Literature and History of the Modern and Contemporary Theatre
4.00 Credits
University of California-Riverside
Lecture, 3 hours; discussion, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. Examines the literature and history of the modern and contemporary theatre. Focuses on analysis of representative plays, theatrical architecture, and production modes.
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THEA 120C - Literature and History of the Modern and Contemporary Theatre
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THEA 121: World of the Play
4.00 Credits
University of California-Riverside
Lecture, 3 hours; discussion, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. A study of a significant play in the context of the social, intellectual, and artistic movements of its time. Offered simultaneously with the Theatre Department's production of the play. May also consider related works and writings. Course is repeatable.
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THEA 121 - World of the Play
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THEA 122: Theatre for Social Change
4.00 Credits
University of California-Riverside
Lecture, 4 hours. Prerequisite(s): upper-division standing or consent of instructor. Examines theatre for social change, as created by grassroots theatrical organizations. Focus is on how community-based theatre groups develop works and how theatre in public or private spaces redefines traditional theatre practices.
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THEA 122 - Theatre for Social Change
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THEA 124A: American Theatre,1900-1945
4.00 Credits
University of California-Riverside
Lecture, 3 hours; discussion, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. Examination of the major American playwrights, theatrical figures, and movements from 1900 through World War II.
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THEA 124A - American Theatre,1900-1945
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THEA 124B: American Theatre,1945-Present
4.00 Credits
University of California-Riverside
Lecture, 3 hours; discussion, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. Examination of the major American playwrights, theatrical figures, and movements from World War II to the present.
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THEA 124B - American Theatre,1945-Present
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THEA 125: History of the Theatre
4.00 Credits
University of California-Riverside
Lecture, 4 hours. Prerequisite(s): upper-division standing or consent of instructor. A study of the plays, playhouses, and players of the following theatrical eras: E. Classical Theatre; F. Medieval Theatre; G. Renaissance Theatre; I. Romantic Theatre; J. Realistic Theatre; K. Contemporary Theatre; M. American Theatre; N. Neo-Classic Theatre; S. American Musical Theatre; T. Asian Theatre; W. American Theatre and Drama of the Great Depression; X. Experimental Theatre in America. Segments are repeatable.
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THEA 125 - History of the Theatre
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THEA 126A: History of Dress
4.00 Credits
University of California-Riverside
Lecture, 3 hours; discussion, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. A study of the psychological, sociological, and economic history of fashion and dress from 4000 B.C. to A.D. 1700.
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THEA 126A - History of Dress
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THEA 126B: History of Dress
4.00 Credits
University of California-Riverside
Lecture, 3 hours; discussion, 1 hour. Prerequisite(s): upper-division standing or consent of instructor. A study of the psychological, sociological, and economic history of fashion and dress from A.D. 1700 to the present.
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THEA 126B - History of Dress
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THEA 127: Theories of the Modern Theatre
4.00 Credits
University of California-Riverside
Lecture, 4 hours. Prerequisite(s): upper-division standing or consent of instructor. Examines the major theories underlying twentieth-century theatre practice. Special attention is paid to the ideas of important theatre artists such as Konstantin Stanislavsky, E. Gordon Craig, Antonin Artaud, and Bertolt Brecht.
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THEA 127 - Theories of the Modern Theatre
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