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Course Criteria
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4.00 Credits
Lecture, 3 hours; extra reading, 24 hours per quarter; screening, 6 hours per quarter. Prerequisite(s): upper-division standing or consent of instructor. Considers two distinct and related literary and historical moments- Palestine and Algeria. Topics include the relations between language and context; literature and literary historiography; genre and idiom; violence and the body; and the state and institutional practices of reading. Cross-listed with CPLT 151.
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4.00 Credits
Lecture, 3 hours; extra reading, 3 hours. Prerequisite(s): upper-division standing or consent of instructor. Considers selected writings of Adunis ('Ali Ahmed Sa'id), Mahmoud Darwish, Abdelatif La'abi,and Etel Adnan, published originally in Arabic, French, and English. Topics include language (idiom, statement, utterance, translation, repetition, rhythm) and history (loss, violence, mourning, inheritance, future, legacy). Course is taught in English. Cross-listed with CPLT 152.
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4.00 Credits
Lecture, 2 hours; studio, 4 hours. Introduction to the materials, techniques, structure and expressive properties of drawing and design. Includes lectures, studio exercises and outside assignments.
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4.00 Credits
Lecture, 2 hours; studio, 4 hours. Introductory course in the media, techniques, structural and expressive properties of painting and design. Includes lectures, studio exercises and outside assignments.
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5.00 Credits
Lecture, 3 hours; studio, 4 hours. Introduction to the basic principles of photography as fine art. Focuses on technological and conceptual evolution from analog to digital practice. Addresses a range of technological approaches to photography from traditional analog processes to digital image capture, organization/ archiving, and printing. Explores historical and contemporary approaches to creating meaningful photographs.
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5.00 Credits
Lecture, 3 hours; studio, 3 hours; screening, 3 hours. Prerequisite(s): none. An introduction to video as an art form based in production and contemporary media theory. Covers basic production techniques, operation of the camcorder, and the fundamentals of live-action production and editing. Examines documentary, experimental, and other applications of the media arts in relation to contemporary art practice, installation, and performance. Cross-listed with MCS 004.
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4.00 Credits
Lecture, 3 hours; studio, 3 hours. Prerequisite(s): none. Introduction to the basic skills required to make three-dimensional and sculptural objects. Covers concept building, planning, design, brainstorming, materials, techniques, and basic contemporary sculpture history and theory. Lectures address work of contemporary artists and contemporary concepts of three-dimensional design. Studio assignments introduce new concepts and materials. Equipment is provided.
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4.00 Credits
Lecture, 3 hours; discussion, 1 hour. Examines basic principles and methodologies of theory as applied to the interpretation and creation of works of art. Includes screenings. Cross-listed with MCS 006.
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4.00 Credits
Lecture, 3 hours; laboratory, 3 hours. Introduction to creating art by utilizing the Macintosh computer. Emphasizes the personal, theoretical, and conceptual implications of such work within the broader field of contemporary art. Course is repeatable to a maximum of 8 units. Cross-listed with MCS 007.
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4.00 Credits
Lecture, 3 hours; field, 3 hours. Examines visual arts as contemporary phenomenon. Study of recent exhibitions of contemporary art, the way art is culturally distributed, and the ideological and conceptual dialogue surrounding significant contemporary art. Visits to nearby museums and major art galleries are required.
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