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Course Criteria
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3.00 Credits
Investigates intaglio printing as a form of visual communication. Students learn and practice the medium's expressive potential, create various matrixes, use varied printing techniques, and are introduced to the discipline's professional practices. Students are exposed to a variety of subjects, conceptual frameworks, and historical precedents, including non-Western traditions. Studio sessions include extensive work with printmaking materials, individual instruction and group critique, demonstrations, and lectures.
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3.00 Credits
Investigates relief printing as a form of visual communication. Students learn and practice the medium's expressive potential, create various matrixes, use varied printing techniques, and are introduced to the discipline's professional practices. Students are exposed to a variety of subjects, conceptual frameworks, and historical precedents, including non-Western traditions. Studio sessions include extensive work with printmaking materials, individual instruction and group critique, demonstrations, and lectures.
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3.00 Credits
Investigates silkscreen printing as a form of visual communication. Students learn and practice the medium's expressive potential, create various matrixes, use varied printing techniques, and are introduced to the discipline's professional practices. Students are exposed to a variety of subjects, conceptual frameworks, and historical precedents, including non-Western traditions. Studio sessions include extensive work with printmaking materials, individual instruction and group critique, demonstrations, and lectures.
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3.00 Credits
Investigates lithography printing as a form of visual communication. Students learn and practice the medium's expressive potential, create various matrixes, use varied printing techniques, and are introduced to the discipline's professional practices. Students are exposed to a variety of subjects, conceptual frameworks, and historical precedents, including non-Western traditions. Studio sessions include extensive work with printmaking materials, individual instruction and group critique, demonstrations, and lectures.
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3.00 Credits
Investigates methodologies of printing by hand as a form of visual communication. Students learn and practice the medium's expressive potential, create various matrixes, use varied printing techniques, and are introduced to the discipline's professional practices. Students are exposed to a variety of subjects, conceptual frameworks, and historical precedents, including non-Western traditions. Studio sessions include extensive work with printmaking materials, individual instruction and group critique, demonstrations, and lectures.
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3.00 Credits
Investigates sculpture as a form of visual communication. Students explore the medium's expressive potential, use varied printing techniques, and are introduced to the discipline's professional practices. Students are exposed to varied subjects, conceptual frameworks, and historical precedents, including non-Western traditions. Studio sessions include extended work with sculpture materials, individual instruction and group critique, demonstrations, and lecture.
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3.00 Credits
Builds on the skills and concepts covered in Sculpture I, this course further develops sculptural concepts, materials, and processes. Emphasis will be given to the social, cultural, and aesthetic context of the work. Writing, research, class discussion, and critique are integral to the course.
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3.00 Credits
Engages in sculpture fabrication methods using wood, and metal. The students learn varied construction techniques using the wood-working equipment and metal-working equipment. Class assignments address contemporary concepts and foster personal expression. Students learn safe practices in the studio. Studio sessions include technical instruction, studio work time, and development of concepts through research, class discussion, group critique and lecture.
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3.00 Credits
Engage in figurative sculpture and connect with the history of figurative sculpture. Techniques include but are not limited to, modeling, additive fabrication, mold-making, and casting. Students will research how they can use the figure to relay conceptual ideas. Studio sessions include technical instruction, studio work time, and development of concepts through research, class discussion, group critique and lecture.
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3.00 Credits
Explores the use of alternative materials, in creating sculptural objects and safe studio practices. The class will include but is not limited to, carving techniques, various ways of fastening materials, the incorporation of found objects, nontraditional materials, mold-making, site-specificity, and installation. Studio sessions include technical instruction, studio work time, and development of concepts through research, class discussion, group critique and lecture.
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