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  • 1.50 Credits

    This course offers an introduction to the basic relief printing methods of linoleum cut and woodcut. Black and white and color are explored. Both printing by hand and printing on an etching press is introduced. Special emphasis is placed on personal expression. Formerly PR 200 Credits: 1.5 cr, 3 hrs
  • 1.50 Credits

    Introduction and investigation of stencil methods in screenprinting with water-based inks. Idea development and acquisition of visual skills in expression in color, line, and form through drawn, photographic, or computer-generated stencil processes. Formerly PR 202 Credits: 1.5 cr, 3 hrs
  • 1.50 Credits

    Individual expression with the graphic qualities of etched and directly drawn ideas created on the metal plate by hand or acid etching in color and monochrome. Processes also include printing from drawing and painting directly on Plexiglass and metal plate with oil and water based materials. Formerly PR 211 Credits: 1.5 cr, 3 hrs
  • 3.00 - 5.00 Credits

    Students are introduced to the basic techniques of nonsilver by building images in color with layers of brushed-on light-sensitive emulsion. Light-resists can range from photogram objects to drawings and paintings to film or paper negatives. Processes covered are Vandyke brown, cyanotype and gum bichromate. Formerly PR 222 Prerequisites & Notes Priority enrollment to Printmaking majors. Student must have completed the first semester of their Freshman year (15 credits). Credits: 1.5 - 3 cr
  • 1.50 Credits

    This course offers students an introduction to lithographic drawing and printing methods using stone and metal plates. Students are encouraged to develop their own ideas through the medium and explore it with regard to their major field. Formerly PR 212 Credits: 1.5 cr, 3 hrs
  • 1.50 Credits

    Through slide lectures and demonstrations, this studio course introduces students to all aspects of traditional Western and Japanese papermaking techniques including pulp preparation, sheet formation, pressing, and drying sheets. Students learn refined, professional methods as well as explore the creative versatility of pulp. Classes include: casting three-dimensional objects and bowls, building subtle relief images in colored pulp, and painting with pulp. Various fibers explored throughout the semester include garden vegetables and indigenous plants. Formerly PR 207 Credits: 1.5 cr, 3 hrs
  • 3.00 Credits

    A workshop class familiarizing the student with the characteristics and handling qualities of materials used in various book structures. Structures covered include pamphlet binding, multi-signature books, clamshell boxes, portfolios, accordion structures, and oriental binding. Emphasis is placed upon both the use of conservationally sound materials and the use of these structures as vehicles for the student's creative expression. Formerly PR 223 Prerequisites & Notes Priority enrollment to Printmaking majors and minors. Credits: 1.5 cr, 3 hrs
  • 1.50 Credits

    Historical book forms serve as models as well as a departure point for innovative new work. Students are made familiar with traditional binding techniques, encouraged to explore new applications and to experiment by combining images and text into unique book structures. Among the structures presented are signature binding, Japanese binding, accordion structure, pop-up structures, and tunnel books. May serve as a follow-up course for those who have completed PR233. Priority enrollment to Printmaking majors and minors. Formerly PR 224 Credits: 1.5 cr, 3 hrs
  • 3.00 Credits

    The first semester of this course concentrates on general issues of contemporary artists' practices; the second semester continues with a focus on the printmaker's world. The student creates prints, exploring a variety of printmaking methods. Drawings to clarify the direction that a possible later series of prints might take are another expectation as well as completed drawing projects. Students should take at least one area of printmaking and develop technical skills beyond elementary proficiency. All three mediums: relief, intaglio, and lithography are to be used in making prints this semester. Formerly PR 333Prerequisites & Notes Prerequisite: FACR 301 Open to Printmaking majors only. Credits: 3 cr, 6 hrs
  • 3.00 Credits

    An investigation into the combination of previously studied printmaking media including, but not confined to: relief, intaglio, screenprinting, lithography and photo & digital imaging. Students are encouraged to investigate unorthodox uses of materials and techniques through the creation of two-dimensional and three-dimensional work. Formerly PR 301 Prerequisites & Notes Prerequisites: FAPR 201, FAPR 204 Priority enrollment to Printmaking majors. Credits: 1.5 cr, 3 hrs
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