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Course Criteria
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3.00 Credits
A beginning-level studio course in which the Macintosh computer and basic graphics software will be used to introduce the student to the revolutionary new processes of thinking about and making images generated by this technology. Relationships with traditional drawing and other two-dimensional media will be emphasized. Prerequisite: ART 114. Peterson
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3.00 Credits
Designed to teach the student the fundamentals of "photographic seeing," to acquaint him or her withimportant historic and contemporary practitioners of the art, and to provide basic technical skills required to expose, process, and print using black and white photographic materials. Welch
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3.00 Credits
Emphasizes the design process and the visual idea, and analyzes designs and designers. Students prepare models and renderings of assigned productions. Same as TDF 228. Whiting
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3.00 Credits
Designed to introduce students to both the history and the processes involved in hand papermaking. Basic techniques for pulling sheets of paper, designing books, building plaster molds, casting pulp positives, and freehand building will be explored. The work of visual artists working in the medium will be examined and discussed. Students design their own final projects that have the potential for interfacing with a variety of other academic disciplines. Prerequisite: ART 114 or ART 116 or ART 170, or permission of instructor. Maksymowicz
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3.00 Credits
An examination of the changes in artistic production in Italy from ca. 1300 to the Sack of Rome in 1527. Special consideration is given to the interplay of cultural, economic, and political forces created by urbanization, and the emergence of city-states alongside feudal territories on the Italian peninsula. Aleci
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3.00 Credits
Painting, sculpture, and the graphic arts in the Netherlands and Germany during the 15th and 16th centuries. Emphasis is placed on the emergence of startling new forms of naturalism during the period and their relationship to religious beliefs, commerce, and changing systems of patronage. Aleci
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3.00 Credits
A survey of European art from 1750 to 1900, including such movements as Neoclassicism, Romanticism, and Impressionism and such artists as Constable, Delacroix, and Van Gogh. We will consider art, architecture and decorative arts in their historical and cultural contexts, examining such themes as the significance of landscape in an industrializing world, the cultural competition of World's Fairs, and the fashion for Orientalism. Prerequisite: No prerequisite, but ART 103 is strongly recommended. Rauser
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3.00 Credits
Historical and aesthetic consideration of architecture, painting, decorative arts and sculpture produced in the United States from colonial settlement through the 1913 Armory Show. Course themes include the social functions of works of art, the relationship of U.S. and European cultures, the role of art in building a national identity, the development of an infrastructure of art institutions, and the contrast and connection between popular and elite art. Prerequisite: prior course work in art history or American studies is recommended. Same as AMS 243. Clapper
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3.00 Credits
An examination of the first one hundred years of the medium from its invention to the documentary photography produced under the Farm Security Administration in the late 1930s. Emphasis will be placed on the relationship of photography to the arts of painting and literature, as well as on contextualizing photographs as documents of scientific investigation, ethnographic research, social history, and personal expression. Prerequisite: Strongly recommended that students have had at least one art history course. Same as TDF 245. Kent
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3.00 Credits
Comprehensive historical consideration of the development and use of printmaking in the West from the 15th century to the present, emphasizing the social and aesthetic ramifications of the medium. The course introduces various processes, including woodcut, engraving, etching, aquatint, lithography, and screen printing, and considers such artists as Dürer, Rembrandt, Goya, Daumier, and Warhol. Includes study of actual prints and studio demonstrations of techniques. Prerequisite: ART 103, 105, 114, or permission of the instructor. Clapper
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