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GMSM 641: Hymnody
2.00 Credits
Duquesne University
No course description available.
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GMSM 641 - Hymnody
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GMSM 665: Performance Class
0.00 Credits
Duquesne University
No course description available.
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GMSM 665 - Performance Class
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GMSM 670: Sacred Music Internship
1.00 Credits
Duquesne University
The internship in Sacred Music is an ongoing formational process in the student¿s music ministry at the church of his/her employ. This course, a requirement for the sacred music masters students and an elective for undergraduate students, is designed around the needs of each particular student who will work under the professor¿s guidance to strengthen his/her skills as ministers of music in their parishes. A public presentation in the form of a worship service or organ recital may be included.
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GMSM 670 - Sacred Music Internship
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GMSM 675: Directed Study: Sacred Music
1.00 - 2.00 Credits
Duquesne University
No course description available.
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GMSM 675 - Directed Study: Sacred Music
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GMTH 024: Diagnostic Grad Thry Exam
0.00 Credits
Duquesne University
No course description available.
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GMTH 024 - Diagnostic Grad Thry Exam
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GMTH 525: Debussy & Fin-de-siecle France
2.00 Credits
Duquesne University
No course description available.
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GMTH 525 - Debussy & Fin-de-siecle France
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GMTH 531: Form And Analysis
2.00 Credits
Duquesne University
A study of formal design in music and the phenomenon of style in the various historical periods. Recognition of the constituent elements of a competition, and how each contributes to the whole. A prerequisite for majors in music theory.
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GMTH 531 - Form And Analysis
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GMTH 533: Form & Analysis
2.00 Credits
Duquesne University
No course description available.
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GMTH 533 - Form & Analysis
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GMTH 535: 16th Cent Counterpoint
2.00 Credits
Duquesne University
A study of the contrapuntal technique of Palestrina and his contemporaries.
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GMTH 535 - 16th Cent Counterpoint
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GMTH 537: 18th Cent Counterpoint
2.00 Credits
Duquesne University
A study of the contrapuntal techniques of the eighteenth century, from the realization and elaboration of figured bass to the composition of choral preludes, inventions, and fugues.
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GMTH 537 - 18th Cent Counterpoint
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