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DRAM 206a: Movement for Actors
1.00 Credits
Vassar College
Training in stage movement for actors. Students learn to understand neutral posture alignment and explore the dynamic and expressive qualities of movement, as well as the methods of developing a rich physicalization of character. Concepts from the Alexander Technique, Laban Movement Analysis, experimental theatre, and post-modern dance are used. Ms. Wildberger. Prerequisites: Drama 102, and permission of the instructor. One 3-hour period.
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DRAM 209a: Topics in Production
1.00 Credits
Vassar College
In-depth study of one or more of the specialized skills used in the creation of the technical aspects of theatrical production. Past topics have included Drafting and Draping. Graphic Communication for Designers, Scene Painting, and Stage Management. May be repeated, but students may study each skill area only once. Instructor to be announced, Ms. Hummel, or Mr. Miller. Prerequisites: Permission of the instructor. One 3-hour period.
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DRAM 209a - Topics in Production
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DRAM 215b: Plays of the Black Diaspora/Performing the Black Diaspora
1.00 Credits
Vassar College
(Same as Africana Studies 215) Through comedy, tragedy, and satire, Playwrights from Africa, Europe, United Kingdom, and the Caribbean have dramatized the rich heritage and vibrant cultures of the Black Diaspora. The course explores the forms and themes of black theater. It examines the evolution of the black theatre from the African Grove, to urban "chitlin" circuits, and contemporary Black theater. It discusses how playwrights of the black Diaspora have dealt with issues like myth, identity, gender, spirituality, love, and ownership. Works studies include plays by Wole Soyinka, August Wilson, Derek Walcott, Susan Lori Parks, Alice Childress, Pearl Cleage, Ed Bulolins, Athol Fugard, Lorraine Hansbury, Lynn Nottage, Dipo Abgoluage and Errol Hill.
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DRAM 215b - Plays of the Black Diaspora/Performing the Black Diaspora
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DRAM 221a /222b: Sources of World Drama
2.00 Credits
Vassar College
An exploration of dramatic literature and performance practices from around the world with a focus on the theories that have affected both the literature and practice of theatre from Aristotle's The Poetics to writings by late twentieth-century theorists. The course focuses in depth on a series of critical periods and explores the relationship between the theater and the culture responsible for its creation. Ms. Walen. Prerequisite: Drama 102. Two 75-minute periods.
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DRAM 221a /222b - Sources of World Drama
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DRAM 231a: History of Fashion for the Stage
1.00 Credits
Vassar College
A historical survey of dress from the Egyptian era through the fin de siècle as seen in sculpture, manuscript illumination, painting, and drawing. Cultural background investigated through manners and customs in Western Europe. Ms. Hummel. Permission of the instructor required. Two 75-minute periods.
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DRAM 231a - History of Fashion for the Stage
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DRAM 282a: Dramaturgy:The Art of Dramatic Structure
1.00 Credits
Vassar College
The aim of this course is to give students the tools with which to engage in serious historical and cultural research on a particular text, and to learn how to most productively offer this material to the practical needs of a production company. Students read theoretical essays, published as well as unpublished plays, and learn how to "cut" scripts, as well as to "adapt" existing material. Weekly presentations in class, and "interning" on a Vassar Experimental Theater production constitutes a core part of the course. Ms. CPrerequisites: Drama 102 One 2-hour periods.
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DRAM 282a - Dramaturgy:The Art of Dramatic Structure
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DRAM 290a: or b.Field Work
3.00 Credits
Vassar College
To be elected in consultation with the adviser and the Office of Field Work.
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DRAM 290a - or b.Field Work
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DRAM 298a: or b.Independent Work
3.00 Credits
Vassar College
To be elected in consultation with the adviser.
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DRAM 298a - or b.Independent Work
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DRAM 302a: or b.Problems in Design
1.00 Credits
Vassar College
Study of set, costume, lighting or sound design. May be repeated in another area of design. Instructor to be announced, Ms. Hummel, or Mr. Miller. Prerequisites: Drama 102 and permission of the instructor. One 3-hour period.
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DRAM 302a - or b.Problems in Design
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DRAM 304a: The Art of Acting
1.00 Credits
Vassar College
Advanced study of classical acting comparing Shakespeare, Chekhov or Ibsen. Students examine the challenges of a language-driven acting style. Techniques explored include John Barton, Michael Chekhov, Tadashi Suzuki, Anne Bogart, and Kristin Linklater. Instructor to be announced. Prerequisites: Drama 203, 205, 1 unit in dance or movement analysis, and permission of the instructor. Two 2-hour periods.
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DRAM 304a - The Art of Acting
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