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  • 1.00 Credits

    Open only to majors. One-unit project done in two semesters. The department. Permission required.
  • 1.00 Credits

    (Same as Philosophy 350). An exploration of some of the methodological issues raised by the prospect of one culture understanding and making judgments about another. The course considers essays on ethical and cognitive relativism, incommensurability, and the hermeneutics of suspicion and faith. Although the focus is primarily methodological, recent Western approaches to understanding Chinese philosophy provide test cases for some of the theories examined. Mr. Van Norden Prerequisites: a 200-level course in Chinese, Japanese, Asian Studies or Philosophy. Not offered in 2008/09.
  • 1.00 Credits

    (Same as Drama 361) A study of Chinese and Japanese culture and society through well-known dramatic genres-zaju, chuanqi, kunqu, Beijing Opera, modern Spoken Drama, noh, kyogen, bunraku, kabuki, and New Drama; a close reading of selected plays in English translation. Scheduled films of performances convey Chinese and Japanese theatrical conventions and aesthetics. Discussions focus on major themes based on research presentations. All readings and discussions are in English. Mr. Du. Prerequisite: one 200-level course in language, literature, culture, drama or Asian Studies, or permission of instructor.
  • 1.00 Credits

    (Same as Women's Studies 362) An intercultural examination of the images of women presented in Japanese and Chinese narrative, drama, and poetry from their early emergence to the modern period. While giving critical attention to aesthetic issues and the gendered voices in representative works, the course also provides a comparative view of the dynamic changes in women's roles in Japan and China. All selections are in English translation. Ms. Qiu.Prerequisite: one 200-level course in language, literature, culture or Asian Studies, or permission of instructor.
  • 1.00 Credits

    East-West Context] This course examines various traditional and contemporary literary theories with a distinct Asianist-particularly East Asianist-perspective. At least since the eighteenth century, Western theoretical discourse often took into serious consideration East Asian literature, language and civilization in their construction of "universal" theoretical discourses. The comparative approach to literary theory becomes imperative in contemporary theoretical discourse as we move toward ever greater global integration. Selected theoretical texts from the I-Ching, Hegel, Genette, Barthes, Derrida, Todorov, and Heidegger as well as some primary literary texts are among the required readings. All readings are in English. Mr. LiPrerequisite: one literature course or permission of instructor. Not offered in 2008/09.
  • 3.00 Credits

    Prerequisite: 4 units of Chinese or Japanese or permission of the chair. The department.
  • 1.00 Credits

    (Same as College Course 101) Not offered in 2008/09.
  • 1.00 Credits

    From the great epics of Homer and Virgil to the intimate lyrics of Sappho and Catullus, the literature of Greece and Rome presents a vast array of forms, subject matter, and styles that played a formative role in the western literary tradition and continue to challenge the imagination. This course tackles the question of how to read classical literature, with an understanding of the cultural conditions and assumptions that went into its making. The topics focus on issues where a twenty-first century perspective may make it difficult for a reader to understand an ancient text. These include the roles of orality, literacy, tradition, and innovation in the composition of ancient literature; polytheism and the relationship of cult, ritual, and myth; ancient concepts of the community and its social constituents; the poet's persona and the literary construction of individuality. Readings in English translation are selected from a representative variety of Greek and Roman texts by such authors as Homer, Hesiod, Sappho, Euripides, Catullus, Virgil, Livy, and Ovid. Ms. Friedman.
  • 1.00 Credits

    The axiom of Ancient History that navigable water enables communication is nowhere so true as with the Mediterranean Sea, around which there grew up in antiquity the cultures of, e.g., Egypt, Greece, Rome, Asia Minor, Syria, and North Africa. This course provides an introduction to the ancient Mediterranean from the earliest cultures of Mesopotamia and Egypt (c.3000 BCE) to the beginnings of the Christian Middle Ages. Topics such as trade, migration, immigration, conquest, and imperialism are used to illustrate both historical developments and complex cultural interactions. Through primary and secondary readings, students are asked to consider questions like: How do cultures 'interact ' What does it mean for one culture to 'borrow' from another What 'belongs' to a culture How do cultures conceive of their debts to, and interactions with, other cultures Mr. L
  • 1.00 Credits

    An introduction to Ancient Greek material culture from an archaeological perspective, This course explains the sites and monuments of the ancient Greek world from the Bronze Age to the Classical period. We introduce archaeological methods, examine the history and development of Greek archaeology from the origins as a field in the 1870s to the present, and trace the chronological development of Greek art and architecture across several major sites including Knossos, Mycenae, Olympia, Delphi, and Athens. Particular emphasis is placed on understanding and interpreting monuments in terms of their political, social, and economic contexts. Ms. Olsen. Not offered in 2008/09.
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