Course Criteria

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  • 1.00 Credits

    (Same as Media Studies 379b) An interdisciplinary course in Computer Animation aimed at students with previous experience in Computer Science, Studio Art, or Media Studies. The course introduces students to mathematical and computational principles and techniques for describing the shape, motion and shading of three-dimensional figures in Computer Animation. It introduces students to artistic principles and techniques used in drawing, painting and sculpture, as they are translated into the context of Computer Animation. It also encourages students to critically examine Computer Animation as a medium of communication. Finally, the course exposes students to issues that arise when people from different scholarly cultures attempt to collaborate on a project of mutual interest. The course is structured as a series of animation projects interleaved with screenings and classroom discussions. Mr. Ellman, Mr. Roseman. Prerequisite: Art 102-103, or by special permission of instructors. Two 2-hour periods.
  • 0.50 Credits

    Marble Sculpture in the new Greek and Roman Galleries at the Metropolitan Museum. This introduction to looking at ancient sculpture features close examination of works ranging in date from Archaic Greek to late Roman, with discussion of style, technique, and original context. Problems involving Roman copies as well as later European restoration are also discussed. Ms.Milleker. Prerequisite: permission of the chair. One two-hour period. Six-week course.
  • 1.00 Credits

    Designs for Living: Modernity in Hollywood Movies. This seminar investigates how American films of the 1920s and 1930s used stylish costumes, hairstyles, body language and settings to embody the theme of modernity. The films of Greta Garbo, Joan Crawford, Clark Gable, Cary Grant, among other stars, are examined, along with the work of art directors like Cedric Gibbons and Hans Dreier. We focus on issues of gender, consumerism, class mobility and other social transformations of early twentieth-century America. Ms. Lucic. Prerequisite: permission of instructor. One 2-hour period, plus one film screening per week.
  • 3.00 Credits

    Open by permission of the instructor with the concurrence of the department adviser in the field of concentration. Not included in the minimum for the major. Studio Work in Design, Drawing, Painting, Sculpture
  • 1.00 Credits

    An introductory survey of the classical literary and cultural traditions of East and South Asia. The course focuses on the foundational ideals of Asian cultures as well as their "prevailing paradigms" found in literature, fine arts, and philosophical texts whose influence continues on to this day. Topics include (from India) Vedic Hymns, Epics, the Presence of the Buddha; (from Japan) the Way of the Warrior, the Lover from the Tales of Genji, and the Aesthetics of Emptiness; (from China) the Philosophy of Taoist Way of Zhuangzi, and the Dream of the Red Chamber. Mr. Jarow.Not offered in 2008/09.
  • 1.00 Credits

    An introductory course in Asian Studies that is multi-disciplinary in approach and/or multicultural in area. May be repeated for credit when a new topic is offered. Topic for 2008/09: Challenges in a Globalizing Era. This course surveys some major challenges facing Asian countries entering the age of globalization. Major topics include economic development, democratization, security, energy, environment, population, and regional institutionalization. It attempts to highlight convergence as well as divergence in this dynamic region. One major objective of this course is to arouse students' interests in more in-depth examination of Asian politics, economy, and society in advanced courses. Mr. Su. Two 75-minute periods. Open to all students.
  • 1.00 Credits

    Normally the study trip takes place during the spring semester break, rotating to different destinations in Asia. Enrollment for the trip is determined early in the Fall semester. Prerequisite: permission of instructor. Not offered in 2008/09.
  • 1.00 Credits

    This course explores cultural consequences of the dramatic and tumultuous transformation of South Korea, in four decades, from a war-torn agrarian society to a major industrial and post-industrial society with dynamic urban centers. Despite its small territory (equivalent to the size of Indiana State) and relatively small population (48 million people), Korea became the eleventh largest economy in the world. Such rapid economic change has been accompanied by Korea's recent rise to a major center of the global popular cultural production in Asia. In particular, Korean movies have enjoyed growing popularity in the region. Employing the medium of film and scholarly articles, we examine multifaceted meanings of the Korean War, industrialization, urbanization, and the recent process of democratization for the lives of ordinary women and men. Ms Moon. Not offered in 2008/09.
  • 1.00 Credits

    (Same as History 122) Mr. Shimoda. Not offered in 2008/09.
  • 1.00 Credits

    (Same as Religion 152) This course is an introduction to the religions of Asia (Buddhism, Confucianism, Hinduism, Zen, Shinto, etc.) through a study of practices, sites, sensibilities, and doctrines. The focus is comparative as the course explores numerous themes, including creation (cosmology), myth, ritual, action, fate and destiny, human freedom, and ultimate values. Mr. Jarow, Mr. Walsh. Open to all students. Two 75-minute periods.
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