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Course Criteria
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1.00 Credits
This course explores cultural production and consumption by "Women of color" in the U.S., with a focus on the way various groups have negotiated the presumed gap between private experience and public or political form. Historical, social, and cultural connections and disjunctions between African-American, Arab-American, Asian-American, Native American, Latina, and other women are examined, especially in the context of feminism, cultural nationalism, and the scholarly discipline and practice of critical legal feminism and critical race studies. We explore the varied ways in which family, labor, and leisure practices can place women of color in social positions which blur the distinction between private and public culture, and which call for a reconsideration of the notion of "experience" itself. Theorists and writers considered include Patricia Williams, Kimberle Crenshaw, Cherrie Moraga, Valerie Smith, Lisa Lowe, and Julie Dash. Ms. Carter.
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3.00 Credits
or b.Field Work
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0.50 Credits
The program. Not offered in 2008/09.
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0.50 Credits
The program.
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0.50 Credits
The program. Not offered in 2008/09.
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3.00 Credits
or b.Independent Study
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1.00 Credits
A 1-unit thesis or project written in two semesters.
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1.00 Credits
(Same as Asian Studies 306 and Sociology 306) Ms. Moon. Not offered in 2008/09.
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1.00 Credits
(Sames as Sociology 321)
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1.00 Credits
(Same as Art 366 and Africana 366) Topic: Vision and Critique in the Black Arts and Women's Art Movements. Focusing on the relationships between visual culture and social movements in the U.S., this seminar examines the arts, institutions, and ideas of the Black Arts movement and Women's Art movement of the 1960's and 1970's. Analyzing paintings, photographs, posters, quilts, collages, murals, manifestos, mixed-media works, installations, films, performances, and various systems of creation, collaboration, and display, we explore connections between art, politics, and society. Ms. CollinOffered in 2008/09.
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