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MUSI 259a: Soundscapes:Anthropology of Music
1.00 Credits
Vassar College
(Same as Anthropology 259a) This course investigates a series of questions about the relationship between music and the individuals and societies that perform and listen to it. In other words, music is examined and appreciated as a form of human expression existing within and across specific cultural contexts. The course takes an interdisciplinary approach to the social life of music, addressing historical themes and debates within multiple academic fields via readings, recordings, and films. Mr. Rios.
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MUSI 259a - Soundscapes:Anthropology of Music
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MUSI 290a: or b.Field Work
3.00 Credits
Vassar College
or b.Field Work
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MUSI 290a - or b.Field Work
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MUSI 298a: or b.Independent Work
3.00 Credits
Vassar College
Special projects in theory, history, or performance which supplement the curriculum. Open to qualified students with permission of department.
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MUSI 298a - or b.Independent Work
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MUSI 300a: b.Performance
0.50 Credits
Vassar College
Prerequisite: four semesters of credited study in this instrument. One 50-minute period. Unscheduled.
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MUSI 300a - b.Performance
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MUSI 302a: or b.Senior Project
0.50 Credits
Vassar College
A paper, composition, or recital. Proposals for a project must first have the approval of an appropriate faculty adviser and then be submitted for departmental approval by the end of the junior year.
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MUSI 302a - or b.Senior Project
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MUSI 315a /316b: Composition II
1.00 Credits
Vassar College
Further work in original composition; analysis of examples illustrating current practice. Mr. Meltzer, Mr. Wilson. Permission of the instructor required; qualification to be determined by submission in advance of original work. Prerequisites: Music 105/106 and 215/216 or equivalent.
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MUSI 315a /316b - Composition II
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MUSI 320a: Advanced Studies in Musical Genres
1.00 Credits
Vassar College
Topic for 2008/09: Film Music Studies. This course will investigate - at both aesthetic and practical levels - the principal issues surrounding production and use of film music in narrative cinema. We will study isolated sections of films in detail as well as complete films with scores by prominent composers. Films will be examined from an international perspective, with focus on music composed specifically for the film. Discussion will center on roles that music plays in establishing the film's structure, conveying meaning, and deepening the spectator/listener's relationship to the characters. Also considered will be music's semiotic role in defining gender, ethnicity, and race, as well as its ability to embody moral messages. Knowledge in some combination of film technology and history, media studies, drama, and music analysis is highly desirable. Mr. PisaPrerequisites: Film 238, one additional course in either music or film, or by permission of instructor. One 3-hour class period per week.
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MUSI 320a - Advanced Studies in Musical Genres
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MUSI 321b: Composer in Focus
1.00 Credits
Vassar College
Topic for 2008/09: Gustav Mahler. The songs, song cycles, and symphonies of Gustav Mahler (1860-1911) present one of the richest and most idiosyncratic repertoires of any late nineteenth-century composer. In particular, the symphonies, drawing on formal, expressive, and narratological models bequeathed to him by Beethoven, Berlioz, Schumann, Wagner, and others, offer an almost endless field for study and analysis. After examining Mahler's career as conductor and composer, this course focuses on his nine symphonies and Das Lied von der Erde. Mr. Mann. Prerequisites: Music 105/106, 210 or 211; 246/247; or by permission of instructor.
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MUSI 321b - Composer in Focus
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MUSI 322b: Advanced Studies in Theory
1.00 Credits
Vassar College
Topic for 2008/09: Classicism/Neo-classicism. We study twentieth-century examinations of eighteenth-century approaches to key relationships, phrases, and gestures. Music to be analyzed includes Stravinsky's Symphonies of Wind Instruments, Pulcinella, The Rake's Progress, and Canticum Sacrum, Berg's Wozzeck, works by Hindemith, Prokofiev, Ravel, and Shostakovich, as well as vocal and instrumental works by Bach, Haydn, Mozart, and Beethoven. Mr. MeltzerPrerequisites: Music 105/106, 205, 210 or 211; or by permission of instructor.
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MUSI 322b - Advanced Studies in Theory
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MUSI 323b: Intersections in Music and Literature
1.00 Credits
Vassar College
Prerequisites: Music 105/106; 205; 246; or by permission of instructor. Not offered in 2008/09.
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MUSI 323b - Intersections in Music and Literature
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