|
|
|
|
|
|
|
|
|
|
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
-
3.00 Credits
3 credits. Every semester Weekly study in groups of three to five with master producers. Recording techniques and technologies, as well as the psychological, logistical, and entrepreneurial crafts of a producer, are studied. Students present their work at each class.
-
2.00 Credits
2 credits. Fall Sampling theory, error correction, digital filtering. DAT, ADAT, mini-disc, CD, and CD-ROM protocols. Simple multisample playback software. Hardware sampling. Simple digital-audio tracking and editing. Prerequisite: MCO 1320 or MCO 2320 or permission of instructor
-
2.00 Credits
2 credits. Spring Digital stereo and multitrack recording. Intensive studies in software-based editing. Region manipulation, playlisting, plug-in processing, crossfades, normalization, and digital mastering. This course is essential for licensing in the digital editing studios. Prerequisite: MCO 4350
-
2.00 Credits
and 4721 2 credits ( per semester). I: Fall; II: Spring Focuses on unique scenarios and non-mainstream techniques in recording and production. Assignments include recording live to mono analog tape; instrument construction, using scrap materials; composition and recording. Study of ethnic music, including reggae and blues. Prerequisite: Permission of instructor
-
2.00 Credits
and 5210 2 credits ( per semester). I: Fall; II: Spring Practical collaborations between writers and engineers/producers. Writers and producers are teamed with one another to produce high-quality demo recordings in the digital studios, within realistic professional time and personnel constraints. Emphasis is on the collaborative aspect of musical composition and production.
-
2.00 Credits
2 credits. Every semester Small group discussion and pre s e ntations of works in all styles. This course is specifically designed to provide an opportunity for jazz, composition, and studio composition students to enter into dialogue with each other and with faculty on aesthetic and technical compositional issues.
-
2.00 Credits
5410, 5510 5610 2 credits (per semester). Every semester These practica cover a range of artistic and technological concerns: multitrack recording, tape manipulation, signal processing, software synthesis, sampling, digital editing. Specific content is determined by the student’s needs.
-
2.00 Credits
2 credits. Fall Intensive study of advanced digital editing techniques, with emphasis on multimedia synchronization, Internet applications, and game scoring.
-
2.00 Credits
2 credits. Spring A survey of the orchestration techniques of Debussy, Stravinsky, Webern, Bartok, Hindemith, Ellington, Gil Evans, and Quincy Jones. Brief projects based on each style.
-
3.00 Credits
3 credits. Fall Designed to provide graduate-level students with the skills needed to become consummate and versatile musical arrangers. Equal time is spent in the classroom discussing advanced arranging techniques/concepts and in the recording studio implementing the ideas via hands-on experience with the recording/mixing console and software programs. In particular, the use of Pro Tools as a compositional/arranging device is frequently demonstrated.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Privacy Statement
|
Terms of Use
|
Institutional Membership Information
|
About AcademyOne
Copyright 2006 - 2024 AcademyOne, Inc.
|
|
|