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Course Criteria
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3.00 Credits
See TFI 2720 in the Film section for description.
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3.00 Credits
Sequence III See the Cinema Studies section for description.
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4.00 Credits
4 credits. Spring A continuation of CIN 2760. Open to cinema studies majors, new media majors with advanced standing, and a limited number of other liberal arts and sciences students. Prerequisite: CIN 2760 or permission of instructor
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4.00 Credits
4 credits. Special topic (offered irregularly) T h i rd cinema was a movement proposed by Latin American directors in the 1960s and further developed by African directors in the 1970s. It addresses important questions about independent national cinemas, colonialism, race, and identity. This course examines the movement and its global influence, with emphasis on the cinemas of Latin America, Africa, black Britain, and American minorities. Prerequisite: CIN 2760 and 2770 or permission of instructor
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3.00 Credits
See LIT 3025 in the Literature section for description.
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4.00 Credits
4 credits. Alternate years T h rough a historical survey of documentary and ethnographic film, this course explores document a ry theory, aesthetics, and ethics. Topics include early cinema, World War II propaganda, cinema verité, radical documentary, the essay film, counter-ethnographies, and contemporary mixed f o rms. Films by the Lumières, Flahert y, Marker, Rouch, Minhha, and others. Prerequisite: CIN 2760 and 2770 or permission of instructor
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4.00 Credits
4 credits. Special topic (offered irregularly) An intense focus on sound technology, with careful attention to the way image, dialogue, music, and sound interact in both film and video. The history of sound technology and sound theory are e x p l o red by comparing sound innovations in other fields (music, radio, television) to developments in film/video. Films include The Jazz Singer, The Conversation, Pi, and Run Lola
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3.00 Credits
See TFI 3330 in the Film section for description.
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4.00 Credits
4 credits. Special topic (offe red irregularly) A study of contemporary global cinema and recent trends in cinematic style and narrative. The course focuses on non-American/non- European cinemas and co-productions and on important developments in the regional cinemas of Africa and Latin America. The final quarter examines “cinema” from a global perspective,particularly the extent to which new technology and cultural c i rcuits have fostered techniques, styles, and narrative form s . Prerequisite: CIN 2760 and 2770 or permission of instructor
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3.00 Credits
See TFI 3705 in the Film section for description.
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