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Course Criteria
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4.00 Credits
4 credits. Special topic (offered irregularly) In this “think tank,” art is developed that deals with the variety of the constructed environment. Diverse approaches are used to shape a concept of urban space. Using any media, students explore and create provocative work; images are made, taken, stolen, borrowed, defaced, and ultimately transformed. Prerequisite: Permission of instructor
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4.00 Credits
4 credits. Fall Nonsilver photo processes involve the use of alternatives to traditional photographic paper. Students work with collotype, a continuous-tone printing process that is one of the earliest photographic processes. Other nonsilver photographic processes (e.g., cyanotype, platinum/palladium printing, photogravure, Iris prints, Polaroid transfer) are also studied. Prerequisite: Permission of instructor
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4.00 Credits
4 credits. Spring An intensive exploration of the portrait and self-portrait through photographic methods. Self-directed projects, practical assignments, critiques, and field trips are included. Prerequisite: VPH 1010, VPH 2030, and permission of instructor
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4.00 Credits
4 credits. Special topic (offered irregularly) In this visual and conceptual investigation of photographic imagery, visual narrative strategies and literary methods like memoir, diary, confession, and autobiography are used. Prerequisite: Permission of instructor
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4.00 Credits
4 credits. Spring The basic concepts and techniques concerning field and view cameras, including the use of swings, tilts, shifts, and rises, are covered. Assignments deal with portraits, still life, architecture, and landscapes, and the particular problems and opportunities each presents. Prerequisite: Permission of instructor
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4.00 Credits
and 3270 4 credits ( per semester). I: Fall; II: Spring This sequence of critical seminars introduces the techniques of developing and printing color negative film. Circumstances are presented in which students encounter the issues of translating black and white photography into color, the introduction of local color into habits of black and white, and the necessary perceptual shifts in content and intention. Prerequisite: Permission of instructor
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4.00 Credits
4 credits. Special topic (offered irregularly) In this continuation of VPH 3270, the production of large prints is emphasized. Prerequisite: Permission of instructor
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4.00 Credits
4 credits. Spring Technical and creative photographic experiences are put to practical use. Assignments explore artificial and natural lighting, their diverse properties, and uses of tungsten and electronic flash lamps. Technical skills developed also include: use of 4x5 cameras; the Zone System of exposure and development for black and white film; understanding of bellows extension factor and reciprocity failure; color temperature; filtering and exposure of color transparency film. Prerequisite: Permission of instructor
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4.00 Credits
4 credits. Spring A course in which students make a page with a photo image, a written observation/description, a question, a political awareness, and a bit of awe or wonder every day. Prerequisite: VPH 2030 and permission of instructor
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4.00 Credits
4 credits. Fall A practical investigation of narrative strategies in still photographic imagery. In addition to directed readings and assignments, students complete a self-directed project in consultation with the instructor, resulting in either an artist’s book or a photographic installation. Prerequisite: Permission of instructor
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