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Course Criteria
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4.00 Credits
4 credits. Every third year Film and theories of the American avant-garde cinema since 1943. The approach is historical, surveying the various periods in the American avant-garde and their relation to contemporary cultural phenomena. Among the artists considered are Harry Smith, George Landow, Jonas Mekas, Ken Jacobs, Ernie Gehr, Stan Brakhage, Maya Deren, Kenneth Anger, Michael Snow, and Hollis Frampton. Offered as CIN 3730 for cinema studies majors. Prerequisite: TFI/CIN 2760 and 2770
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4.00 Credits
4 credits. Special topic (offered irregularly) History of American independent filmmaking from the 1940s to the present. Focuses on a range of directors, including Sam Fuller, Morris Engel, John Cassavetes, and Robert Altman. Offered as
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4.00 Credits
4 credits. Alternate years ( Fall) Intensive introduction to film theory, focusing on issues surrounding the meaning and truth of the moving image. Readings by Bazin, Eisenstein, Metz, and others. Limited to junior and senior film majors; offered as CIN 3745 for cinema studies majors. Prerequisite: TFI/CIN 2760 and 2770 and permission of instructor
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4.00 Credits
4 credits. Special topic (offered irregularly) The cinema of Japan through the work of its most outstanding directors: Ozu, Mizoguichi, and Kurosawa. The extreme variety of this national cinema is stressed through the individuality of each director. At the same time, the common cultural background of the directors is stressed, as well as the divergence of the Japanese approach to representation from the tradition of Western art. Offered as CIN 3760 for cinema studies majors. Prerequisite: TFI/CIN 2760 and 2770
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4.00 Credits
4 credits. Alternate years A key element of the classical Hollywood tradition (e.g., classical form, the auteur, the star system, or studio practices) is considered in detail. Offered as CIN 3765 for cinema studies majors.
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2.00 Credits
2 credits. Fall Construction and writing of screenplays, with exercises in characterization, plotting, etc. Story treatments for both fiction and documentary films are stressed.
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4.00 Credits
4 credits. Special topic (offered irregularly) Survey of Italian cinema of the post-neorealist era, with special focus on the films of Michelangelo Antonioni and Federico Fellini. Offered as CIN 3830 for cinema studies majors. Prerequisite: TFI/CIN 2760 and 2770
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4.00 Credits
4 credits. Special topic (offered irregularly) Survey of French filmmaking from the sound era, with special focus on poetic realism and the nouvelle vague. Films by Vigo, Carné, Renoir, Truffaut, Godard, and others. Offered as CIN 3855 for cinema studies majors. Prerequisite: TFI/CIN 2760 and 2770
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8.00 Credits
and 4190 8 credits ( per semester). Every year An intensive, twosemester workshop course in which students prepare and produce the thesis film. Production can proceed only after faculty approval of the screenplay, casting, and production schedules.
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2.00 Credits
2 credits. Fall Completion of senior thesis screenplay.
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