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Course Criteria
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3.00 Credits
3, 3/0 Prerequisites: FAR 250 and FAR 251. Architecture, sculpture, and painting of the seventeenth and eighteenth centuries in Northern Europe. Emphasis on development in France, Holland, and Germany.
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3.00 Credits
3, 3/0 Prerequisites: FAR 250 and FAR 251. Architecture, sculpture, painting, and decorative arts of Europe from the origins of a Romanesque style in the eleventh century through its culmination in the late twelfth century, from the era of the Bayeux Tapestry and the churches of Pilgrimage Road to the age of Abbot Suger.
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3.00 Credits
3, 3/0 Prerequisite: Junior status or permission of instructor. Art of the Middle Ages from the Early Christian period through the end of the Gothic period (ca. third century A.D. - fourteenth century A.D.). Reading, analysis, lecture and discussion of the styles, cultural contexts and regional variations in the medieval art of Europe, the Mediterranean, and the Near East.
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3.00 Credits
3, 3/0 Prerequisite: Junior status or permission of instructor. The history of methods in art historical research and an introduction to the range of methodologies that have contributed to the development of art historical practice in the twentieth century. on price in financial markets. Market models and theory and the practices and instruments of market players. Technical analysis as a forecasting tool of both market and economic trends in various time frames.
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3.00 Credits
3, 3/0 Prerequisite: Junior status or permission of instructor. Modern and Post-Modern art criticism and theory in a historical context; reading, analysis, lecture, and discussion of selected texts pertaining to Formalism, Iconography and Semiotics, Modernism, Post-Modernism, Media and Communication, Gender, the "Other" and Institutional Critique.
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3.00 Credits
3, 3/0 Introduction to masterworks of architecture, emphasizing architecture as a living organism. Buildings selected from various periods and cultures. Styles from early civilizations to the present day, including places of worship and interment, public and commercial structures, and private residences.
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3.00 Credits
3, 3/0 Prerequisites: FAR 250 and FAR 251; upperdivision status. The principle concepts in the art of China, Japan, and India. The relevance of the philosophies of Hinduism, Buddhism, Jainism, Zen tradition, Taoism, and Confucianism to the development of Asian art. Brief histories of civilizations as frameworks for understanding aesthetic and philosophical Asian concepts.
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3.00 Credits
3, 3/0 Prerequisites: FAR 250 and FAR 251; upperdivision status. Introduction to the principal thoughts and concepts of the art of India and its relevance to the philosophies of Hinduism, Buddhism, and Jainism. Includes comparisons with Western art and a brief history of Indian civilization as a framework for the understanding of Indian aesthetic and philosophical concepts as presented in works of art.
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3.00 Credits
3, 3/0 Prerequisite: FAR 250 and FAR 251; upperdivision status. Introduction to the principal thoughts and concepts of Chinese and Japanese art and its relevance to the philosophies of Buddhism, Zen tradition, Taoism, and Confucianism. Includes comparisons with Western art and brief histories of Eastern civilizations as frameworks for the understanding of Eastern aesthetic and philosophical concepts as presented in works of art.
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3.00 Credits
3, 3/0 The history of art in Africa from prehistory through the twentieth century. Arts from diverse regions of the continent are examined in their cultural context, with an emphasis on local and regional variations in style and iconography in the domestic, sacred, and royal arts. African responses to the development of slavery, imperialism, and other external stimuli are considered in relation to the use and trade of raw materials and the creation of new symbolic forms.
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