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CCS 312: Cinema and the Ancient World
3.00 Credits
Stony Brook University
A reading of Classical Texts alongside their representation in the cinema. Readings will include classical literature, contemporary treatments of the classics, and film theory. We will pay special attention to how filmmakers are much more attentive to ideas from the present than from the past when they construct their films around ancient texts.
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CCS 312 - Cinema and the Ancient World
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CCS 313: Television Studies
3.00 Credits
Stony Brook University
This course maps the social, cultural, and technological changes that the medium/media of television has experienced from its early ties to radio models of broadcast to the changes in reception wrought by the iPod.
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CCS 313 - Television Studies
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CCS 324: Jazz and American Culture
3.00 Credits
Stony Brook University
An exploration of African American jazz and its importance and representation in American history and culture. We will consider novels, poems, stories, paintings, and photographs with jazz content as well as films by both Hollywood and documentary filmmakers. Special emphasis will be given to the myths that have dominated representations of jazz artists as well as the ways in which jazz artists have inspired artists and writers. This course is offered as both CCS 324 and MUS 324.
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CCS 324 - Jazz and American Culture
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CCS 390: Latin American Cinema
3.00 Credits
Stony Brook University
This course studies a variety of aspects connected with the production, distribution, and reception of cinema in Latin America. Course includes a representative sample of films produced in every one of the major Latin American film producing nations (Argentina, Brazil, Mexico, and Cuba). It will also review a short selection of minor Latin American cinematographies and of indigenous film productions. All films will always be studied within the social, political and artistic context in which these works are produced. Readings include works by Latin American film directors and theorists that have contributed to the study of the films in the region and of film as a world art form.
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CCS 390 - Latin American Cinema
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CCS 391: Contemporary African Cinema and Cultural Studies
3.00 Credits
Stony Brook University
This course will examine African traditions of graphic writing in their theoretical, literary, and cinematographic application. The emphasis will be placed on the visual arts and their political significance in contemporary African debates, and of particular interest will be the production of contemporary artists, the strategies they use, and their impact in both global and local discussions. The artifacts will additionally serve as tools to investigate the modalities of a contemporary African self-understanding through the lenses of images and graphic design.
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CCS 391 - Contemporary African Cinema and Cultural Studies
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CCS 392: American Cinema and Cultural Studies
3.00 Credits
Stony Brook University
The history of cinema as art has been directly linked to the evolution and increment of multicultural societies. This course studies the ways in which film has either included or excluded representations of multiculturalism in the United States, and how films have discussed and participated in the different debates about cultural, ethnic, racial, sexual, gender and class difference within the United States. The course studies theoretical concepts such as difference, ethnicity, migration, incorporation and cultural contact zones.
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CCS 392 - American Cinema and Cultural Studies
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CCS 393: European Cinema and Cultural Studies
3.00 Credits
Stony Brook University
A comparative study of European cinema in a historical, cultural, and political context. The course will concentrate on those films and movements that achieved a major impact in their country of origin as well as received international critical attention.
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CCS 393 - European Cinema and Cultural Studies
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CCS 394: Asian Cinema and Cultural Studies
3.00 Credits
Stony Brook University
This course is an overview of the history of Asian cinemas, with an emphasis on the geopolitical study of China, Hong Kong, India, Japan, and Taiwan. By focusing on issues relating to nationhood, cultural production, gender relations, and the impact of colonialism and globalization, the course will explore the commonalities, and/or particularities between the various cinemas, based on a set of overlapping themes and cultural aesthetics.
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CCS 394 - Asian Cinema and Cultural Studies
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CCS 395: Digital Cultural Studies
3.00 Credits
Stony Brook University
This course critically examines how digital media and technology assist in the redesign of our political, economic, social, and cultural worlds. Special attention is paid to theories of digital media and historical developments of new technologies, as well as cultural practices with emergent technology.
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CCS 395 - Digital Cultural Studies
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CCS 396: Video and Computer Game History
3.00 Credits
Stony Brook University
The course examines video/computer games as historical artifacts while studying the processes of writing/documenting the history of videogames. Students will engage with histories of gaming companies and platforms, game designer memoirs, fiction, criticism, game analysis, theoretical writing, descriptive historical accounts, preservation practices, and ephemeral forms of historic documentation. Students will also have hands-on access to various console games from the 1970s to the present. This course is offered as both CCS 396 and DIA 396.
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CCS 396 - Video and Computer Game History
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