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ARH 307: The Age of Michelangelo in Central Italy
3.00 Credits
Stony Brook University
An exploration of the works of Michelangelo, Da Vinci and other major masters, including Raphael, Bramante and Pontormo, who inspired, were influenced by or rejected the work and ideals of Michelangelo.This course is offered as both ARH 307 and HUI 307.
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ARH 310: Splendors of Renaissance Art in Venice
3.00 Credits
Stony Brook University
The special qualities of Venetian art, which blends Byzantine, Islamic, and Western traditions, are explored through the works of such major figures as Giovanni Bellini, Giorgione, Titian, Veronese, and Palladio. Course offered as both ARH 310 and HUI 310.
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ARH 314: Northern Baroque Art and Architecture, 1600-1700
3.00 Credits
Stony Brook University
A study structured around the comparison of the art and architecture of urban and court cultures in 17th century Flanders, Netherlands, France, and England. Topics include royal and court portraiture (Rubens, Van Dyck, Le Brun), individual and civic portraiture of the Dutch middle classes (Rembrandt, Hals), genre painting and the marketing of 'low life' imagery (Steen, Brouwer), the production of the domestic sphere in Dutch everyday life scenes (Vermeer, Metsu, Ter Borch), the rise of landscape (Poussin, Lorrain, Hobberma), as well as urban and court spectacle in Antwerp, London, and Versailles.
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ARH 316: Baroque Art in Italy and Spain, 1600-1700
3.00 Credits
Stony Brook University
Examination of the visual culture of Counter Reformation Italy and Spain, focusing predominantly on art and architecture of 17th century Rome and the Spanish court. The painting of Caravaggio and Carracci, as well as the sculpture and architecture of Bernini and Borromini are studied in detail. Topics include genre painting and the emergence of the art market; gender stereotypes and the market for religious images of eroticism, mysticism, and violence in Italy and Spain; secular frescoes and their patrons; papal projects and the transformation of Rome; strategies of self representation for the religious orders; portraiture and art collecting at the Spanish court; and Baroque encounters with the New World.
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ARH 316 - Baroque Art in Italy and Spain, 1600-1700
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ARH 317: Islamic Art
3.00 Credits
Stony Brook University
Art and architecture in the Islamic world from ca. 600 A.D. to the present, introducing the varied traditions of the arts of the Islamic world, from Spain and Morocco to the Indian subcontinent. Consideration of both religious and secular art and architecture in their historical and cultural contexts with emphasis on the development of Islamic forms of visual representation. This course is offered as both AAS 317 and ARH 317.
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ARH 319: Arts of China
3.00 Credits
Stony Brook University
A survey of Chinese art from the Neolithic period to modern-day China. Visual media such as bronze, jade, sculpture, ink painting and pottery as well as their cultural influence on philosophy, literature, religion and politics will be explored. The course will also examine the influence of India and Central Asian on Chinese art and, in turn, China's influence on Korean and Japanese art.
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ARH 320: Art in the Age of Enlightenment
3.00 Credits
Stony Brook University
A survey of European art from about 1690 to 1790. Although lectures usually focus on a single artist at a time, the course as a whole stresses artistic attitudes as well as a progression of styles. An effort is made to study art in historical and cultural context, especially in the light of the new philosophies of rationalism, empiricism and individualism that developed and led to both industrial and political revolutions. The three schools covered are the Venetian, English, and French, from the late Baroque and the Rococo styles to the rise of landscape and early Romantic art. Major artists treated are Tiepolo, Canaletto, Watteau, Chardin, Boucher, Fragonard, Hogarth, Gainsborough, Greuze and David.
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ARH 322: American Art Since 1947
3.00 Credits
Stony Brook University
A survey of painting and sculpture in New York, including abstract expressionism, hard edge painting, pop art, minimal art, earthworks, protest art, and postmodernism.
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ARH 322 - American Art Since 1947
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ARH 324: Architecture and Design of the 19th and 20th Centuries
3.00 Credits
Stony Brook University
A survey of architecture and design from the end of the 18th century to the present. Subjects covered include the crystallization and evolution of Romantic classicism and Romantic naturalism, historicism, the arts and crafts movement, art nouveau, machine aesthetics, the beaux arts tradition, functionalism, the international style, art deco, and postmodernism.
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ARH 324 - Architecture and Design of the 19th and 20th Centuries
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ARH 325: Ancient Mesopotamian Art
3.00 Credits
Stony Brook University
Survey of the art and architecture of ancient Mesopotamia from the establishment of the first cities and the development of the first monumental architecture (c. 3300 B.C.) through the Hellenistic conquest. Focus on concepts of representation and aesthetics and their uses in politics, private rituals, and state cults.
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