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Course Criteria
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1.00 Credits
Credits: 1 Prerequisites: TH 30, junior/senior or permission of instructor Corequisites: None Type: LAB Historical, artistic, practical aspects of a specific play or dramatic problem (audition), works of a specific playwright. Workshop performance produced entirely with the resources of class members.
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1.00 Credits
Credits: 1 Prerequisites: TH 109 or permission of instructor, sophomore/junior status Corequisites: None Type: LAB Historical, artistic, practical aspects of a specific play or dramatic problem (audition), works of a specific playwright. Workshop performance produced entirely with the resources of class members.
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3.00 Credits
Credits: 3 Prerequisites: TH 109, TH 03 or permission of instructor Corequisites: None Type: SEM Studies mask traditions and practical exploration of mask technique, using neutral masks, full-face masks and half-masks. Develops skill in using sound, gesture and movement to create mask characters. Creating and performing solo or ensemble scenes, using mask characters.
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3.00 Credits
Credits: 3 Prerequisites: TH 109, TH 03 or permission of instructor Corequisites: None Type: LEC The history of clowning in Western theatre, with some reference to non-Western cultures. Students learn clowning techniques-charter work, transformation of objects, slapstick, and simple acrobatics. Each student develops an individual clown character and presents that character in performance before an audience.
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3.00 Credits
Credits: 3 Prerequisites: None Corequisites: None Type: SEM Review of history of theatre space and architecture from the origins of theatre in ancient Greece to the present times. The review focuses on Western culture but also includes theatres all over the world.
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3.00 Credits
Credits: 3 Prerequisites: None Corequisites: None Type: LEC Particular techniques or methods of acting, focusing on the work of a major theoretician, practitioner or teacher of acting, such as Stanislavski, Michael Chekhov, Sanford Meisner, or Lee Strasberg. Builds on previous work in the core acting sequence. LEC
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3.00 Credits
Credits: 3 Prerequisites: TH 09, permission of instructor Corequisites: None Type: SEM Particular techniques or methods of acting, focusing on the work of a major theoretician, practitioner or teacher of acting, such as Stanislavski, Michael Chekhov, Sanford Meisner, or Lee Strasberg. Builds on previous work in the core acting sequence.
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3.00 Credits
Credits: 3 Prerequisites: TH 8, permission of instructor Corequisites: None Type: LEC Explores the connection between voice, movement and language. Students learn to release habitual patterns of tension, to use their voices and bodies more spontaneously and expressively, and to communicate more effectively through sound, gesture and movement.
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3.00 Credits
Credits: 3 Prerequisites: None Corequisites: None Type: LEC Exercises the lighting designer s ability to communicate orally, visually, and graphically in the production process. Emphasis is given to visualization techniques and both hand and computer generated rendering techniques are explored.
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3.00 Credits
Credits: 3 Prerequisites: department majors, permission of instructor Corequisites: None Type: SEM Intensive study of a particular movement, designer, problem, or area in theatrical design or technology.
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