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Course Criteria
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3.00 Credits
Students become familiar with the 35mm camera, processing, and printing. The work is restricted to black-and-white photography. The aesthetics and basic understanding of photographic practice are covered. This course is available for students who are not majoring in photography. Credit 3
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3.00 Credits
A basic studio course for the hobbyist or someone who occasionally uses photography in his or her work. Ideas for portraiture are discussed and explored in a casual (rather than commercial) manner, both of one person and then of two people. The idea of self-portrait is also discussed and explored. (2067-256 or a working knowledge of developing fi lm and making black-and-white enlargements) Credit 3
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3.00 Credits
A course in which students determine their own theme of expression using black-and-white photographs. (2067-256, or working knowledge of developing fi lm and making enlargements, and 2067-257, or permission of instructor) Credit 3
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5.00 Credits
A lighting workshop course that uses visual exercises to teach students how to evaluate light conditions outside, as well as control and reproduce those conditions in the studio. (2067-201, 202) Credit 5
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4.00 Credits
An introduction to still photography-principles, methods, theory, and practice-for nonphotography majors. This course will familiarize the student with the basic skills of still photography. This is a non-darkroom course designed to introduce students to the operation of their camera, fl ash, and accessories; fi lm selection and exposure variables; light, fi lters, and basic tone control. Photographic aesthetics/composition, history, contemporary artists, professional applications, and other nontechnical aspects of photography will be addressed through weekly lectures and critiques of photographic shooting assignments. Students are required to have their own adjustable camera and fl ash unit. Each student will provide his/her own fi lm and processing. Nonphotography majors only. Credit 4
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5.00 Credits
Guides the student toward a tangible perception of a higher self that is compatible with our established perceptions of ourselves as artists. Three major areas to be integrated are self, intellect and spirit. Emphasis on realist and contemporary possibilities and self discovery through imagination. Credit 5
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5.00 Credits
Advanced applied photography in black-and-white and color with emphasis on craftsmanship, problem solving and visual communications. Major technical emphasis and introduction to studio electronic fl ash and large-format photography. Further emphasis is placed on the development of the student's ability to apply creative thinking and contemporary techniques in executing meaningful and effective photographs. (2067-202) Credit 5
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3.00 Credits
Series of courses that cover the history and aesthetics of photography from 1800 to the present, with special emphasis on the development of photographic seeing and its related effect on other media. A survey of the numerous processes and how their development affected the image making of particular periods, i.e., daguerreotypes, collotypes, ambrotypes, etc. Visual lectures cover topics from surrealism and documentary to conceptual art and postmodernism. Credit 3
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5.00 Credits
A one-quarter introduction to the fundamentals of the Zone System and fi ne print, using black-and-white photography. Purpose, technique, and aesthetics of the system and printing are the content of the course. Emphasis is on largeformat technique. (2067-201, 2067-202) Credit 5
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5.00 Credits
A study of art direction and copywriting with emphasis on conceptual thinking as it applies to the photographic image. Some emphasis is placed on basic hand skills, i.e.; layout, type rendering and paste up. Marketing principles and career possibilities are covered. (Photo student or permission of instructor) Credit 5
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