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2065-461: Alternative Frame by Frame
3.00 Credits
Rochester Institute of Technology
This course will give all students a chance to explore three different approaches to stop-motion animation. The class will study and experiment with pixilation, relief animation with a "down-shooter", and cutout animation utilizing a compositeapproach. These techniques will expand any students? knowledge of traditional or character animation and present an alternative means of expression. Students can explore character or experimental approaches to animation with these traditional-alternative approaches. The class will study existing work with these techniques, analyze and discuss them with the instructor and then produce one thirty second example of their own for each approach. (2065-263) Credit 3
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2065-461 - Alternative Frame by Frame
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2065-462: Advanced Sound Recording
3.00 Credits
Rochester Institute of Technology
Continuing the work in 2065-452 to include the decision level in the employment of various sound equipment, more complex work in multitrack recording and mixing. (2065-452) Credit 3
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2065-462 - Advanced Sound Recording
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2065-464: Business of Animation
2.00 Credits
Rochester Institute of Technology
This class is intended to give students an understanding of studio production and freelance animation. Students will learn the basics of running a business. Production issues, particularly related to animation, will be studied. Methods of examining costs and projecting work timelines will be practiced. Students will draw up contracts and negotiate terms. Copyright law as it applies to distribution and contracts will be studied. A business plan will be developed by each student. (Junior or senior status) Credit 2
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2065-464 - Business of Animation
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2065-466: Lighting for Film and Video
3.00 Credits
Rochester Institute of Technology
This course will present the fundamental principles of lighting for fi lm and video production. Current methods and practices of lighting used in the motion picture industry will be explored through demonstration, lectures, and hands-on lab assignments. (Junior or senior status) Credit 3
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2065-466 - Lighting for Film and Video
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2065-467: Digital Effects and Compositing
4.00 Credits
Rochester Institute of Technology
This course offers a hands-on experience in manipulating live action video and applying digital effects. There is an emphasis on digital compositing using alpha channels and transparency. Composites may be accomplished through green screen shooting, transfer modes, masks, and/or traveling mattes. (2065-331) Credit 4
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2065-467 - Digital Effects and Compositing
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2065-469: Digital Video Post-Production
4.00 Credits
Rochester Institute of Technology
A hands-on tutorial in using Avid Media Composer 1000's for digital video postproduction. Emphasis is on the three major stages of the process: digitizing/ DV fi le transfer, editing/mixing, and writing back to a distributed medium. Students learn how to edit, manipulate, add effects, mix, and composite their source material into a fi nished fi ne-edit product. Students use stock media for the exercises and then produce a short fi nished production of their own design. (2065-311 or permission of instructor) Credit 4
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2065-469 - Digital Video Post-Production
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2065-471: Gesture Drawing for Animators
3.00 Credits
Rochester Institute of Technology
This course will consist of intensive anatomy and quick-sketch workshops using live models and reference from videos, Internet, and print sources. Live models, both human and animal, will be scheduled for a portion of each class. Students will study kinesiology, the effect of movement on muscle and bone, and comparative anatomy. As a fi nal project students will create original imaginary characters based on their class assignments. Most of the course work will be in class drawing sessions. (2013-211) Credit 3
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2065-471 - Gesture Drawing for Animators
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2065-472: Advanced Stop Motion Animation
3.00 Credits
Rochester Institute of Technology
Explore advanced techniques for producing stop motion animation. Gain familiarity with the use of a variety of materials, which may include clay, rubbers, aluminum, and more. Develop techniques for making armatures using wire and steel joints. Learn character performance in gesture and expression. Practice methods of miniature lighting and photography as well as digital effects. Credit 3
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2065-472 - Advanced Stop Motion Animation
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2065-473: Women's Stories,Women's Films
4.00 Credits
Rochester Institute of Technology
This course provides an introduction to women's fi lms. Through screening fi lms and class discussion, the course examines the themes and issues of women's narratives and how they function in the medium of fi lm. The hero's journey and traditional narrative structure are contrasted with the heroine's journey and the more personal feminine storytelling style. The course also considers differences in fi lms made by women and fi lms made by men about women. Students will have opportunity to explore their own creativity. Credit 4
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2065-473 - Women's Stories,Women's Films
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2065-478 3: D Computer Animation II:Character
4.00 Credits
Rochester Institute of Technology
An introduction to three-dimensional digital character animation. The basic principles of character animation and development will be addressed within the context of producing three-dimensional digital character animation. Students will produce a series of short three dimensional computer animations of digital characters using inverse kinematics as part of the learning process. Then they will produce a fi nal short three-dimensional digital character animation of their own design. Students will become familiar with a variety of three dimensional digital character animation techniques and applications. (2065-361 and 2065-457) Credit 4
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2065-478 3 - D Computer Animation II:Character
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