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Course Criteria
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4.00 Credits
Includes traditional and modern methods of gravimetric and volumetric analyses, and elementary instrumental methods. Theory and equilibrium calculations will be emphasized as well as practiced. Three class hours and four laboratory hours. Prerequisite: CHE 104, MAT 114 or higher
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3.00 Credits
( 4) Includes instrumental quantitative and qualitative analyses in the fields of electrochemistry, spectroscopy, chromatography, nuclear magnetic resonance, and other selected topics. Three class hours and four laboratory hours. Prerequisite: CHE 203
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5.00 Credits
An introduction to the chemistry of the functional groups of aliphatic and aromatic compounds. Emphasis is placed on mechanisms of reactions and the relationship of structure to reactivity. Laboratory work is concerned with the synthesis, reactions, and identification of representative organic compounds along with experience in the necessary experimental techniques. Four class hours and four laboratory hours. Prerequisite: CHE 103 and 104 and college-level reading
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5.00 Credits
A continuation of CHE 205 with more emphasis on mechanisms, structures, natural products, and the study of qualitative organic analysis. Four class hours and four laboratory hours. Prerequisite: CHE 205 and lab and college-level reading.
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3.00 Credits
Studies the development of film comedy from its humblest origins to its most sophisticated forms. The course breaks down into studies of the physical, clown tradition of comedy, and the more sophisticated verbal comedy. An emphasis on key comic performers, writers, and directors helps make this an intellectual study of why comedy is universally appealing.
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3.00 Credits
A study of the classic myths of horror, with an emphasis on the literary origins of horror tales, and a close study of such significant books as Dracula and Frankenstein, with interpretations of why such terrifying concepts have continuously proven popular the world over, and a study of the way in which Hollywood motion pictures have both extended and distorted the varied tales.
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3.00 Credits
A study of film animation, its history and the way in which it is achieved, with a special emphasis on the relationship of the animated film to trends in modern art, and the philosophy, social, political, etc. - of the major animated filmmakers.
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3.00 Credits
A study of the man, regarded, by many, as the greatest filmmaker of all time, showing the way in which, despite his guise as light popular entertainer, Hitchcock created a body of films which are tied together by philosophic and artistic threads. A close study of the recurring themes and technical devices which mark his movies, from the earliest silent features to the most recent sound ones.
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3.00 Credits
A study of Woody Allen's emergence from gagwriter to award winning filmmaker and short story writer. All of Allen's motion pictures, as well as many of his writings, will be covered to trace the emergence of his unique point of view.
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3.00 Credits
This course allows students to study the contributions to the art of film of the great American film directors. In a given semester one director such as Stanley Kubrick, Quentin Tarantino, or Martin Scorsese will be discussed in terms of his contribution to important genres, film techniques, and pop culture influences, among other possible topics. Students will view the director's films as well as sample the literature from which the director chose his screenplays.
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