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Course Criteria
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4.00 Credits
Developments in Europe from the Early Christian period to the beginnings of Gothic in the 12th century, with a focus on the key monuments of architecture, sculpture, and the so-called "minor" arts of metalwork, ivory carving and manuscript illumination. 4.000 Credit Hours 4.000 Lecture hours 0.000 Lab hours 0.000 Other hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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4.00 Credits
Covering the period 1200 to ca. 1450, this course focuses on major centers of art production and patronage in Italy: Rome, Venice, Tuscany (Florence, Siena, Pisa), and--to a lesser extent--Milan and Bologna. Painting in its great variety on the peninsula--murals, panels, and manuscript illumination-- will be the primary subject, along with material in related media like mosaics, enamelwork, and ivories. Italy, however, was a crossroads, and manifestations of artistic influence on or from places as diverse as France and Byzantium will also be considered. Attention to formal issues and the question of "style" will join an ongoing concern for the context and function of representative works, thus bringing to the fore the intersection of visual production with major political, social, and religious developments. 4.000 Credit Hours 4.000 Lecture hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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4.00 Credits
This course examines the intersection between the Byzantine East and the European West from the 4th to the 15th centuries. This discussion will focus on key monuments of art and architecture seen in their respective cultural and liturgical contexts. 4.000 Credit Hours 4.000 Lecture hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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4.00 Credits
This course will be developed to the Irish Art of the early Middles Ages. The focus will be on the distinctive style of illuminated manuscripts, metalwork, and the great stone crosses of the 7th to the 9th century, products of a culture untouched by earlier Roman imperial expansion. Consideration will be given to the ways this vibrant expression of Christian ideas was intergrated into Caroligian art on the continent as well as its survival at home following the Viking invasions of the early 9th century. 4.000 Credit Hours 4.000 Lecture hours 0.000 Lab hours 0.000 Other hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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4.00 Credits
Before the invention of the printing press in the fifteenth century, every book was a precious, hand-produced object. Often these manuscripts were richly decorated with painting, called illumination. This course examines the development of manuscript illumination over the length of the Middle Ages (c. 300-1500). Issues examined include: illuminated manuscripts and the establishment of the church, illumination and royal power, manuscripts and popular devotion, and the role of the artist as illuminator. 4.000 Credit Hours 3.000 Lecture hours 0.000 Lab hours 0.000 Other hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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3.00 Credits
Painting in Northern Europe from 1400 to 1700. 4.000 Credit Hours 3.000 Lecture hours 0.000 Lab hours 0.000 Other hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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4.00 Credits
An examination of the visual arts (painting, sculpture, printmaking) in the culture of Northern Europe during the 15th and 16th centuries, with emphasis on developments in painting in the Netherlands, Germany, and France. Technical, formal and interpretive issues regarding key works by artists such as Jan van Eyck, Roger van der Weyden, Der, Grenwald, Holbein and Bruegel to be considered. 4.000 Credit Hours 0.000 Lecture hours 0.000 Lab hours 0.000 Other hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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4.00 Credits
The history of Renaissance painting and sculpture in Florence, Venice and Rome from the 14th through the 16th centuries. The course will focus on the leading artists of this era: Donatello, Masaccio, Fra-Angelico, Bellini, Botticelli, Leonardo, Raphael ,Michaelangelo, Giorgione, and Titian. 4.000 Credit Hours 3.000 Lecture hours 0.000 Lab hours 0.000 Other hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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4.00 Credits
This course explores the role of gender in Renaissance art, considering women as viewers, subjects, patrons, and creators of Renaissance visual culture. Major artists considered include Leonardo da Vinci, Giovanni Bellini, Michelangelo, and Titian. 4.000 Credit Hours 4.000 Lecture hours 0.000 Lab hours 0.000 Other hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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4.00 Credits
The history of Renaissance painting and sculpture in Florence, Venice and Rome from the 14th through the 16th centuries. The course will focus on the leading artists of this era: Donatello, Masaccio, Fra Angelico, Bellini, Botticelli, Leonardo, Raphael, Michelangelo, Giorgione and Titian. 4.000 Credit Hours 0.000 Lecture hours 0.000 Lab hours 0.000 Other hours Levels: Undergraduate, Post Baccalaureate Schedule Types: Lecture Undergraduate Colleges College Art History and Music Department
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