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ARTH 234: Baroque Art in Italy
3.00 Credits
CUNY Queens College
Development of the novel and dramatic elements of Baroque art in the major Italian art centers (Venice, Rome, Naples, and Bologna), with attention to such artists as Caravaggio, Bernini, Poussin, and Claude Lorrain.
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ARTH 234 - Baroque Art in Italy
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ARTH 238: Baroque Art in Northern Europe
3.00 Credits
CUNY Queens College
Origins and development of the Baroque style in what is now the Netherlands and Belgium, beginning with Rubens and van Dyck and their Italian influences and moving to the ¿Golden Age¿ of Dutch art, including Frans Hals, Rembrandt and Vermeer.
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ARTH 238 - Baroque Art in Northern Europe
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ARTH 239: Seventeenth-Century Painting in France and Spain
3.00 Credits
CUNY Queens College
The sources and development of painting during the Golden Age of the Spanish empire and the court of Louis XIV at Paris and Versailles, including such artists as Velazquez and Poussin. Cultural relations between the two major powers and the rest of Europe, as well as with their overseas colonies.
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ARTH 239 - Seventeenth-Century Painting in France and Spain
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ARTH 240: The Eighteenth Century in Europe
3.00 Credits
CUNY Queens College
Baroque, Rococo and Neo-Classical trends in the art and architecture of France, England, Italy and Germany. Artistic practice and patronage are considered against the broader cultural backdrop of the Enlightenment and the Age of Revolution, including connections to literature and theater.
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ARTH 240 - The Eighteenth Century in Europe
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ARTH 244: Latin American Art
3.00 Credits
CUNY Queens College
No course description available.
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ARTH 244 - Latin American Art
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ARTH 246: European Art, 1789-1848
3.00 Credits
CUNY Queens College
Painting and sculpture from the French Revolution to the Revolution of 1848, with particular attention to Neo-Classicism, Romanticism and the rise of Realism. Works of art as well as arts institutions and patrons are examined in their historical context.
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ARTH 246 - European Art, 1789-1848
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ARTH 247: European Art, 1848-1900
3.00 Credits
CUNY Queens College
The radical transformations of painting and sculpture in France and its neighbors, with a focus on the confrontations between traditional academic art and the avant-garde trends of Realism, Impressionism, and Symbolism.
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ARTH 247 - European Art, 1848-1900
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ARTH 250: Impressionism
3.00 Credits
CUNY Queens College
A survey of the short-lived but enduringly popular Impressionist movement in France, concentrating on the careers and production of Manet, Monet, Renoir, Degas, Morisot, and their circle, from the early 1860s to mid-1880s.
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ARTH 250 - Impressionism
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ARTH 251: Art of the United States, Colonial Era to 1900
3.00 Credits
CUNY Queens College
survey of painting and sculpture in the colonies and new republic, with attention to the development of uniquely ¿American¿ approaches to portraiture, landscape, still life, historical events and everyday life.
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ARTH 251 - Art of the United States, Colonial Era to 1900
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ARTH 252: Art of the United States, 1900-70
3.00 Credits
CUNY Queens College
See Department for Description.
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ARTH 252 - Art of the United States, 1900-70
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