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Course Criteria
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3.00 Credits
Priority given to declared film majors. Fee: $75. Basic principles of film study--film aesthetics (mise-en-scene, cinematography, editing, sound); film history (interaction of historical, economic, ideological, and technological determinants); film theory (realism, cinema specificity, relationship of film to other arts); and film criticism (feminist, Marxist, structuralist, semiotic, psychoanalytic, auteurist, and generic approaches). Discussion Section Required.
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3.00 Credits
For film majors only. Exercises in the writing of film scripts.
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3.00 Credits
Film screening, lecture, and discussion. Fee: $75. Documentary film from the late 1890s to the mid-1980s. Attention focuses on the documentary as a means of either supporting or attacking the status quo, on the relationship between the creators and consumers, on claims to truth and objectivity, and on how new technology influences the oldest form of filmmaking. Discussion Section Required.
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3.00 Credits
Exercises in the use of video for documentary shorts. Only for film majors who have taken "The Documentary Tradition."
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3.00 Credits
Exercises in the use of video for fiction shorts. For film majors only.
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3.00 Credits
Fee: $75. Priority given to film majors. A survey of masterpieces of the American sound film with a focus on genres including the gangster film, Western, screwball comedy, and musical. Personal directorial styles and cultural contexts are explored in the work of Hawks, Ford, Welles, Lubitsch, Kazan, Wilder, and Kubrick. Discussion Section Required.
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3.00 Credits
Survey of the early history of film aesthetics and technology, including the impact of Griffith and Eisenstein, German Expressionism, the French avant-garde, the consolidation of Hollywood, the relationship between film and theatre, changing approaches to performance, and the place of women and minorities in early cinema. Discussion Section Required.
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3.00 Credits
Stylistic and thematic development from the dawn of the sound film?through World War II and beyond in German, French, Italian, Japanese, and?Scandinavian cinema. Key works by Jean Renoir, Fritz Lang, Jean Vigo,?Roberto Rossellini, Federico Fellini, Ingmar Bergman, and Akira Kurosawa. Discussion Section Required.
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3.00 Credits
Cinema in the Age of Television: the Nouvelle Vague and beyond, from?Paris to the Pacific Rim, and the first revolutionary stirrings from?Russia, Eastern Europe, Africa and Latin America. Stylistic and thematic?developments in the works of Godard, Antonioni, Fassbinder, Almodovar. Discussion Section Required.
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3.00 Credits
Cinema in the Age of Digital Technology. New forms of image-making and?the modes of expression made possible by them. Filmmakers covered include?Michael Haneke, Hou Hsiao-hsien, and Abbas Kiarostami, and topics?addressed include new avenues for distribution and exhibition, animé and?reality television. Discussion Section Required.
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