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DNCE BC2452: Pilates for the Dancer
1.00 Credits
Columbia University in the City of New York
Prerequisites: Permission of instructor or DNCE BC1330, BC1331, BC1135, BC1136. Focus on movement practices, primarily for dancers, which introduces the concepts of Joseph Pilates, a seminal figure in creating a method of body conditioning. Learn and practice a repertory of mat work to improve body awareness, strength, flexibility, and dynamic alignment.
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DNCE BC2455: Feldenkrais for Dancers
1.00 Credits
Columbia University in the City of New York
Prerequisites: Permission of instructor. Develops sensory awareness of their individual neuromuscular patterns in this practical method of attaining optimal, efficient movement. Injury prevention/recovery, improved skill acquisition, and increased strength/coordination/flexibility all result from the discovery and release of habitual rigidities. Applicable to all dance styles and activities.
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DNCE BC2501: Biomechanics for the Dancer: Theory and Practice
3.00 Credits
Columbia University in the City of New York
Prerequisites: Basic knowledge of dance techniques in ballet or modern. Links conditioning skills, movement therapies, and neuromuscular patterning through the process of building strength, alignment, and awareness in essential musculature needed for foundational work in ballet and modern.
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DNCE BC2501 - Biomechanics for the Dancer: Theory and Practice
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DNCE BC2561: Kinesiology: Applied Anatomy for Human Movement
3.00 Credits
Columbia University in the City of New York
Focus on physical sciences that relate to human movement, with an emphasis on functional anatomy. Topics include skeletal structure, physics of dance, muscular balance, and improving movement potential.
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DNCE BC2562: Movement Analysis
3.00 Credits
Columbia University in the City of New York
Prerequisites: An intermediate or advanced dance technique course or permission of instructor. Limited to 10. Introduction to the theories and methods of movement analysis, focusing on its application to dance performance and research. Through lectures, readings, integrative movement exercises, and observation labs, students will learn to analyze and describe the qualitative aspects of human movement; to notate movement in motif writing; and to refine their ability to move efficiently and expressively.
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DNCE BC2563: Composition: Form, Dance/Theater
3.00 Credits
Columbia University in the City of New York
An exploration of choreography that employs text, song, vocal work, narrative and principles of artistic direction in solo and group contexts.
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DNCE BC2564: Dance Composition: Content
3.00 Credits
Columbia University in the City of New York
Continued study of choreography as a communicative performing art form. Focuses on the exploration of ideas and meaning. Emphasis is placed on the development of personal style as an expressive medium and unity of style in each work. Group as well as solo compositions will be assigned.
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DNCE BC2565: World Dance History
3.00 Credits
Columbia University in the City of New York
Investigates the multicultural perspectives of dance in major areas of culture, including African, Asian, Hispanic, Indian, Middle Eastern, as well as dance history of the Americas through reading, writing, viewing, and discussion of a wide range of resources. These include film, original documents, demonstration, and performance.
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DNCE BC2570: Dance in New York City
3.00 Credits
Columbia University in the City of New York
Prerequisites: Fee: $175. Study of the cultural roots and historical contexts of specific communities using New York City's dance scene as a laboratory. Students observe the social environments in which various modes of dance works are created while researching the history of dance in New York City. Course includes attendance at weekly events, lecture-demonstrations, and performances.
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DNCE BC2575: Choreography for the American Musical
3.00 Credits
Columbia University in the City of New York
Prerequisites: Suggested DNCE BC2560, BC2566, BC2570 Explores the history and evolution of American Musical Theater dance, a uniquely American art form, with special focus on the period known as "The Golden Era." Analysis of the genre's most influential choreographers (including Balanchine, de Mille, Robbins), their systems, methodologies and fusion of high and low art on the commerical stages.
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