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Course Criteria
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3.00 Credits
Prerequisites: VIAR R3401 Continues instruction and demonstration of further techniques in intaglio. Encourages students to think visually more in the character of the medium, and personal development is stressed. Individual and group critiques. Portfolio required at end. If the class is full, sign up for the wait list at http://arts.columbia.edu/printlist
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3.00 Credits
Introduces woodcut and other relief techniques. Given the direct quality of the process, the class focuses on the student's personal vision through experimentation with this print medium. Individual and group critiques. Portfolio required at end. If the class is full, sign up for the wait list at http://arts.columbia.edu/printlist
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3.00 Credits
Prerequisites: VIAR R3411 Printmaking II: Relief Continues instruction and demonstration of further techniques in woodcut. Encourages students to think visually more in the character of the medium, and personal development is stressed. Individual and group critiques. Portfolio required at end. If the class is full, sign up for the wait list at http://arts.columbia.edu/printlist
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3.00 Credits
Prerequisites: VIAR R3040, VIAR R3401, or VIAR R3411. Designed for students who have already taken one semester of a printmaking course and are interested in continuing on an upper level. Students are encouraged to work in all areas, separate or combined, using their own vocabulary and imagery to create a body of work by the end of the semester.
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3.00 Credits
Prerequisites: VIAR R3040, VIAR R3401, or VIAR R3411. Printmaking I: Graphic Novel The objective of the course is to provide students with an interdisciplinary link between drawing, printmaking, and graphic narrative. The course will probe the relation of language to image through three projects: an intensive drawing project, a "zine", and finally, a graphic novel. The course work will guide students through a natural progression beginning with pure image (drawing), transitioning to non-narrative linkage text (the graphic novel). We will primarily explore the graphic novel as a medium for creating art. While graphic novel can certainly be used to tell a simple story, there are many other ways in which an artist can use the medium to convey complex ideas and to create and share their own world. In this course, students will develop and refine their drawing sensibility, and are encouraged to experiment with various forms of non-traditional printmaking. If the class is full, sign up for the wait list at http://arts.columbia.edu/printlist
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3.00 Credits
A concise study and application of the copper plate photogravure process. Usage of current available resources substituting for materials that are no longer available for photogravure. This is a 19th century obsolete photomechanical reproduction process that is constantly challenging the ingenuity of it's practitioners to keep it alive and a viable technique in the 21st century. The course objectives are understanding and demonstrating proficiency in the photogravure process and creation of finished printed images from the process learned. It is important for the future of this process that the students understand not only the "how", but the "why" of going through all of these procedures. If the class is full, sign up for the wait list at http://arts.columbia.edu/printlist
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3.00 Credits
Beginning Video is an introductory class on the production and editing of digital video. Designed as an intensive hands-on production/post-production workshop, the apprehension of technical and aesthetic skills in shooting, sound and editing will be emphasized. Assignments are developed to allow students to deepen their familiarity with the language of the moving image medium. Over the course of the term, the class will explore the language and syntax of the moving image, including fiction, documentary and experimental and experimental approaches. Importance will be placed on the decision making behind the production of a work; why it was conceived of, shot, and edited in a certain way. Class time will be divided between technical workshops, viewing and discussing films and videos by independent producers/artists and discussing and critiquing students projects. Readings will be assigned on technical, aesthetic and theoretical issues. NOTE : Beginning Video is a full day class 930-330pm. There is only one section offered per semester. If the class is full, sign up for the wait list at http://arts.columbia.edu/videolist
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3.00 Credits
An introductory course in black-and-white photography, Photography I is required for admission to all other photo classes. Students are initially instructed in proper camera use and basic film exposure and development. Then the twice weekly meetings are divided into lab days where students learn and master the fundamental tools and techniques of traditional darkroom work used in 8x10 print production and classroom days where students present their work and through the language of photo criticism gain an understanding of photography as a medium of expression. Admitted students must obtain a manually focusing 35mm camera with adjustable f/stops and shutter speeds. No prior photography experience is required. Due to the necessity of placing a cap on the number of students who can register for our photography courses, the department provides a wait list to identify and give priority to students interested in openings that become available on the first day of class. If the class is full, sign up for the wait list at http://arts.columbia.edu/PhotoList
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3.00 Credits
Prerequisites: VIAR R3701 This course expands on concerns first encountered in Photography I and addresses aspects of creative photography through project development and advanced camera and lab techniques. Over the course of the semester students are introduced to color photography, the use of medium format cameras, pinhole cameras, flash and studio lighting in addition to emphasizing the refinement of black-and-white printing: contrast control, burning and dodging, and the production of larger prints. Note: Photography I is a prerequisite. Due to the necessity of placing a cap on the number of students who can register for our photography courses, the department provides a wait list to identify and give priority to students interested in openings that become available on the first day of class. If the class is full, sign up for the wait list at http://arts.columbia.edu/PhotoList
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2.00 Credits
Prerequisites: Instructors permission. See requirements for a major in visual arts. R3901 is the prerequisite for R3902. Corequisites: R3921 is corequisite for R3901 and R3922 is corequisite for R3902. Students must enroll in both semesters of the course (R3901 and R3902). The student is required to produce a significant body of work in which the ideas, method of investigation, and execution are determined by the student. A plan is developed in consultation with the faculty. Seminars; presentations. At the end an exhibition or other public venue is presented for evaluation. Studio space is provided.
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