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Course Criteria
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3.00 Credits
An in-depth treatment of the field. Heavy emphasis on narration for television and film. Extended work in the production of news and disc jockey programs, using broadcast-level facilities. Prerequisite: COMM 321
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3.00 Credits
The technique of writing dramatic and non-dramatic material for radio and television. Theory, practice, and analysis of broadcast material, advertising, and continuity are emphasized. Designed to develop skill in expository, narrative, and persuasive writing as it relates to broadcasting. Prerequisite: COMM 210 Communication 87
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3.00 Credits
Provides an opportunity to work within standard operating procedures similar to those utilized by commercial and educational television. Includes practice and projects in such critical areas as timing, electronic editing, minor equipment maintenance, and color programming. Prerequisite: COMM 227. Lab fee.
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3.00 Credits
An historical study of the origins, development, diffusion, applications, and impact of pre-literate media, literacy, typography, and electronic media such as telegraphy, the telephone, radio, televisions, and the Internet. Prerequisite: COMM 120
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3.00 Credits
Students are assigned to on-campus media outlets or external sites for practical experience in communication fields. Prerequisite: Permission is required.
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3.00 Credits
This course is an introduction to professional film techniques. Through lectures, demonstrations, and filmed exercises students learn how to use cameras, lenses, sound equipment, and professional editing techniques. Students also learn the conventions of continuity and montage filming and editing, the organization of film crew shooting, creative use of sound and image, and dramatic lighting. Each student has the opportunity to produce a final short film. Lab fee. Prerequisite: COMM 239
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3.00 Credits
An intensive laboratory course in film production in which each student produces a five-ten minute sound film. The course concentrates first on organizational aspects of pre-production such as scripting, budgets, story boards, sets, scheduling, and locations. Students then become familiar with such production techniques as advanced lighting, as well as postproduction work including sound and picture editing. Students are encouraged to work as crew on each other's productions. Lab fee. Prerequisite: COMM 331
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3.00 Credits
An intensive production workshop designed for students of film and video who wish to integrate several media production techniques in individual advanced projects. The purpose of this course is to examine the different production approaches used in the making of diverse products from documentaries to music videos to television commercials to independent dramatic and experimental films. Prerequisite: COMM 331
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3.00 Credits
Study the development of the documentary and other nonfiction cinemas, incorporating cultural studies notions addressing how otherness, exoticism, and social and political issues that affect culturally distant societies are viewed. Through screenings and discussion seminars, students learn to define the different documentary modes and to analyze their formal production approaches, narrative and rhetorical structures, and the ways in which these construct meaning in the nonfiction film. Issues such as the ethics and politics of representation are addressed, in addition to more abstract questions related to the documentary, such as the real or imagined lines between fact and fiction, relationships between truth and reality, personal experience, and the problems of its representation. Prerequisite: COMM 234
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3.00 Credits
A case study approach to an in-depth analysis of theories and issues relating to media globalization, regionalization, localization, national development, and international relations in Asia.
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