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Course Criteria
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3.00 Credits
The purpose of this course is to familiarize the sound engineering arts student with the basics of recording studio management. To this end each student enrolled in this course - a maximum of four - form a team whichmanages and supervises the SEA program's recording facilities as outlined in the SEA Survival Guide. Prerequisite: Permission of the instructor.
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2.00 Credits
A review of piano literature from the Baroque and Classical periods for beginning through advanced students. Required for Classical Performance piano majors. 2 credits
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2.00 Credits
A review of piano literature from the Romantic and Contemporary periods for beginning through advanced students. Required for Classical Performance piano majors. 2 credits
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3.00 Credits
Articles, press kits, promotional materials, advertising, and the media in industry relations. Roles of artist, public relations representative, advertising company, and recording company. Application of communication skills to professional tasks. Prerequisite: MUS 125
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3.00 Credits
Chronological survey including sociological implications, current trends, and new directions.
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3.00 Credits
Study of the principles and practices of critiquing plays, concerts, paintings, and film. The student can expect to analyze selected works of art, to study the historical and cultural background of a work of art, and to read critical theories of art. Special emphasis is placed on the discovery of the commonalities that link forms of art. Attendance at concerts, plays, exhibits, and media viewings is required.
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2.00 Credits
An introduction to the song repertoires of German Lieder and French Melodie through performance, listening, analysis, and attending concerts. Required of Classical Performance voice majors. 2 credits
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2.00 Credits
An introduction to the opera and oratorio arias and nationalistic songs through performance, listening, analysis, and attending concerts. Required of Classical Performance voice majors. 2 credits
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3.00 Credits
Continuation of Improvisation II. One- or two-week units featuring guest lectures on a variety of advanced topics. Prerequisites: MUS 161, 137, and 138 or permission of the instructor 2 credits
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3.00 Credits
Weekly seminars with subjects ranging from the practical to the philosophical, including medical concerns of musicians, jazz criticism, the aesthetics of jazz, life inside the recording studio, advanced improvisational concepts, professional goals and objectives, and the business of music (publishing, management, contracts and booking). Each seminar is conducted by a specialist in the field.
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