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Course Criteria
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0.00 Credits
Taken with MUS 263, MUS 291, or MUS 257 0 credits
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3.00 Credits
Analysis and discussion of Western art music from its origins in ancient Greece up to and including contemporary styles. Emphasis on baroque through twentieth-century music. Serves the needs of jazz majors and liberal studies students with some prior background, offering both an educational experience beyond what can be taught in MUS 120. Prerequisite: MUS 161
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3.00 Credits
An integrated course in ear training that includes the development of sight-singing, diction, improvisation, and rhythmic skills as they especially apply to the jazz style. Prerequisite: MUS 181 2 credits
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3.00 Credits
An integrated course in ear training that includes the development of sight-singing, diction, improvisation, and rhythmic skills as they especially apply to the jazz style, and continuation of Ear Training I. Prerequisite: MUS 241 2 credits
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3.00 Credits
This course surveys the music traditions from Africa, Asia, North and South America, and other parts of the world, examining cultural and historical contexts. Students are expected to attend several live concerts. .
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2.00 Credits
Students survey the history and literature of plucked instruments through transcription, analysis, and performance. Students gain a deeper awareness of the repertory of plucked instruments. 2 credits
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1.00 Credits
The primary goal of this course is to provide an in-depth discussion of transducers and transducer theory as it relates to audio engineering including: microphone theory and types, magnetic recording principles and applications, mixing console signal flow and design, and loudspeaker theory and design. Primary auditory physiology and theory are presented and principles of wave motion, electricity, and acoustics are introduced. Prerequisites: MUS 126 and acceptance to the sound engineering arts program Co-requisite: MUS 284
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2.00 Credits
A continuation of MUS 251. Topics include: the theory of equalization, equalization use and misuse, types of equalization, dynamic range, voltage controlled amplifiers, compressor and expander theory and practice, introduction to room acoustics, reverberation theory, the theory and use of analog and digital reverb and delay, modulation effects, and analog noise reduction. Prerequisites: MUS 251 and MUS 284 Co-requisite: MUS 285
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3.00 Credits
A study of the evolution of jazz from its African and European origins to the early bebop period. The course emphasizes how each period developed both musically and historically, and includes an in-depth analysis of its major performers, arrangers, and composers. Prerequisite: MUS 161
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3.00 Credits
A study of the evolution of jazz from bebop to the present. The course emphasizes how each period developed both musically and historically, and includes an in-depth analysis of its major performers, arrangers, and composers. Prerequisite: MUS 161
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