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Course Criteria
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3.00 Credits
ENG 20250 Twentieth-Century Drama at UCD; This course will examine some of the most important individual plays of the twentieth century - the writers are from Norway, Ireland, England, Germany and the United States. Plays will be studied for their individual literary and dramatic qualities, but attention will also be paid to the material, historical and dramaturgic aspects of their staging, and to relevant social, political and theoretical contexts. Issues of power and gender will be a recurring concern; many of the plays focus on female characters, though it is only later in the century that women come to the foreground as authors. Each week we will read and discuss an individual play.
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3.00 Credits
The course will explore forms of identity as mirrored, forged or disputed in Modern Greek literature. Specific topics will include individual vs. collective identity, civilization and madness, national identity and stereotypes, gender and diaspora politics, war and political ideology. Literary works will be explored in the context of Modern Greek history as well as in relation to other national literary traditions. Authors will include C.P.Cavafy, George Seferis, Nikos Kazantzakis, Odysseas Elytis, Giannis Ritsos, Alki Zei, Rea Galanake and others.
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3.00 Credits
Taught in Rome, Italy
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3.00 Credits
An introduction to and servey of major works from the Colonial periods to Independence and Romanticism. The course will include texts by Bernal Diaz del Castillo, Fray Bartolome de las pasas, Garcilaso de la Vega, Alonso de Ercilla, Sor Juana Ines de la Cruz, Jose Joaquin Fernandez de Lizardi, Esteban Echeverria and Jorge Isaacs. (Fulfills Survey of Spanish American Literature I)
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3.00 Credits
Study of Romanticism, Modernism, Vanguard, Poetry written by women, antipoetry, poetry of the 50s and 60s
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4.00 Credits
"A study of Portuguese literary expressions of the 19th Century, considering that their identity is constructed between the present and past. This course covers the study of 1)lyrical, love, friendship and vindication ballads, 2) the theatre of Gil Vicente, 3) the formation of renaissance literature, 4) the Camonian epic of the Lusitanians, 5) the Camonian lyrical poetry, 6) the formation of baroque literature in Portugal, 7) Literature by Father Antonio Vieira and Francisco Rodrigues Lobo, 8) recovery of Renaissance values in Portugal, 9) poetry of Manoel Maria Barbosa du Bocage, 10) Portuguese interpretation of the romance literature, 11)Romance conflict: Almeida Garrett and Antonio Feligano de Castilho, 12) The nationalist discourse: a look at the Middle Age - Alexandre Herculano, 13) Ultra-romantism, 14) The discourse of the transition between romance and realism: Julio Dinis, João de Deus, João de Lemos, 15) The 70 Generations, 16) A realist fiction 17) Realist Poetry.
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3.00 Credits
ENG 30850 War Stories at UCD; This module offers students the opportunity to examine British literary responses to the Second World War. It will focus in particular on fiction and poetry written during or shortly after the war, but will also consider other forms of representation, such as films, comic books, posters, and art works to contextualise the literary response to the war.
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3.00 Credits
Narrative currents in Spanish America from Carpentier and the emergence of magical realism to the present day. Authors studied include Garcia Marquez, Borges, Fuentes, Vargas Llosa, Cortaza, and others.
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3.00 Credits
This course focuses on the rise of theory historically while examining the basic assumptions we have inherited relating to literature. It also seeks to give students the critical and theoretical tools necessary in order to better understand and negotiate the underlying principles and assumptions that govern our literary universe. This course will keep pace with the moves taking place in literary study and furnish a secure understanding of the occasionally daunting landscape of literary theory. Prerequisite: Junior or Senior Standing.
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