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  • ARST 31403: Moving Media

    3.00 Credits
    University of Notre Dame

    Materials fee. Moving Media is a term that describes lens-based practices used in the creation of still and moving images by artists, photographers, designers and those working in visual communications. This is an introduction to making and thinking critically about time-based imagery, brought about in part by a new generation of image capture technologies. Students will work with photographs, electronic images, video footage, and recorded sound to create new works that blur the boundaries of photography and video. Assignments will explore a variety of visual possibilities including non-traditional narratives, sound-works and conceptual constructions. Students will be responsible for producing several assigned projects and a creating an independent final project. Final projects will be screened at the end of the semester.
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  • ARST 31404: Big Cameras Shiny Pictures

    3.00 Credits
    University of Notre Dame

    This course will be an introduction to the use of large format cameras and the daguerreotype process. Students will engage in a thorough exploration of large-format camera techniques that includes film exposure/development through the use of basic zone system principles and the advantages of large film. Students will have the opportunity to make daguerreotypes through the contact printing process in the darkroom and shooting live plates in camera. Discussions and readings will include history, culture, and technological in contemporary time. Demonstrations will be given to fine tune large format inkjet printing, incorporate digital technology and maximize the use of the darkroom. This course emphasizes independent and original work through portfolio development. Cameras will be available for check out.
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  • ARST 31405: Photgraphy II: Digital Workshop

    3.00 Credits
    University of Notre Dame

    This is a level II course in the photography sequence and builds upon the experiences gained in Photography I. Color image making will be emphasized along with moving media projects and digital image constructions. Presentations, assignments and critiques are designed to help students continue defining their artistic voice, areas of creative interest and technical expertise. A digital SLR with manual focus and exposure controls or an optional 35mm film camera is required. Software is taught on the Apple platform. Lab fee.
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  • ARST 31415: Introduction to Film and Video Production

    4.00 Credits
    University of Notre Dame

    An introductory course in the fundamentals of shooting, editing, and writing for film and video productions. This is a hands-on production course emphasizing aesthetics, creativity, and technical expertise. The course requires significant amounts of shooting and editing outside class. Students produce short video projects using digital video and Super 8mm film cameras, and edit digitally on computer workstations. The principles of three-camera studio production are also covered.
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  • ARST 31421: Performance Art: History, Theory and Practice

    3.00 Credits
    University of Notre Dame

    Performance art is anti-art. Performance art is art that contradicts tradition --- that aims to shock. This class will equip the student with an overview of its offenses. Class content may include: Dada's early 20th-century assaults on the audience; absurdist experimental performance works by Yoko Ono, Lygia Clark, John Cage, and Nam June Paik from the 1960s; performance art addressing racism by Adrian Piper and William Pope L. from the 1980s; current performance works by Internet artists and others. Discussions will focus on the aesthetics and politics of marginality. In other words: why shock? Why experiment? Is there any market for such work today? We will also look at critical and theoretical texts about performance, modernism, and the avant-garde and consider their relation to the works themselves. These may include: manifestos by performers and artists; debates about the autonomy of art; poststructuralist writings on art and aesthetics; theories of performativity. Finally, students will be expected to create one or more performance art pieces themselves. Students should expect to be asked to participate in other students' pieces as well as in their own.
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  • ARST 31502: Poster Shop

    3.00 Credits
    University of Notre Dame

    Students will create posters and broadsides using relief, silkscreen and inkjet printing. These media offer powerful imaging techniques that range from hand-drawn/cut stencils to digital impressions. A variety of surfaces and applications will be explored. Art historical sources such as propaganda and political posters, concert promotions and urban graphics will propel creative projects. Materials fee.
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  • ARST 31606: Sculpture II

    3.00 Credits
    University of Notre Dame

    This course is designed for independent research. Sculptural projects will be self-directed with group critiques.
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  • ARST 31650: Emerging Formats for Digital Art

    3.00 Credits
    University of Notre Dame

    Computer programming has been used in Fine Art since the middle of the twentieth century, and contemporary technology has fostered rapid growth in this field. Fine Art Computing will introduce students to the skill sets and historical background that will enable them to use computer coding within their studio art or design practice. While learning the programming language Processing, students will be introduced to contemporary trends in computer-based art and concerns that arise with the advent of information technology. Students will use programming to assist in the production of images, animations, and sculpture that explore the expressive potential of computer-based media. This course will utilize the Digital Print Studio, the Digital Visualization Theatre and the Sculpture Studio in order to present works outside of the computer lab, and may employ rapid prototyping technologies for the "printing" of sculpture. In addition students will gain the skill sets necessary to produce work in a range of formats including internet-based interactive art, animation, installation, and CNC modeling. Required Text: Shiffman, Daniel. 2008. Learning Processing: a beginners' guide to programming images, animation, and interaction. Massachusetts: Morgan Kaufmann
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  • ARST 34202: Figure Drawing

    3.00 Credits
    University of Notre Dame

    This course is a drawing course for art students in their second year of study at the Ecole Superieure des Beaux Arts d'Angers. The emphasis is on the human figure. The course consists of 3 hours of class per week and 3 hours additional studio work. Student progress is evaluated based on work in class as well as on several additional assigned projects.
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  • ARST 34241: Shodo: Calligraphy I

    2.00 Credits
    University of Notre Dame

    Nagoya course number 81011 - Writing with a brush. Various styles of writing Kanji and Kana are introduced contemporary works by well-known calligraphers are studied.
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