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ARHI 63341: Seminar in Italian Drawings
3.00 Credits
University of Notre Dame
This seminar is devoted to the study of Italian Renaissance and Baroque drawings in The Snite Museum of Art. The course will introduce the student to the world of special collections where particular care is given to the conservation of works on paper, and where instruction is given in the appropriate ways to study drawings. We will examine papers of different colors, trace the origin and manufacture of paper by means of watermarks, and recognize different types of inks and chalks in order to appreciate the role which the physical object plays in understanding it as an historical and aesthetic work of art. Discussion will also center on the purpose and types of drawings. In fact, the acknowledgment of drawing is fundamental to the creative process, and appreciation of its status as an independent aesthetic endeavor, have their origins in the Italian Renaissance. By the seventeenth century, drawings of all types had come to be fully appreciated and collected by artists and connoisseurs alike. Each student will be required to research one or two drawings in the Snite collection, and the seminar will conclude with an exhibition (with accompanying catalogue) in The Snite Museum.
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ARHI 63351: Sem:Rome in the Age of Bernini
3.00 Credits
University of Notre Dame
Permission required. Seminar on specific subjects in Baroque art.
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ARHI 63351 - Sem:Rome in the Age of Bernini
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ARHI 63404: Sem: Narratives of Modern Art
3.00 Credits
University of Notre Dame
Permission required. Seminar on specific subjects in 19th-century and 20th-century art.
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ARHI 63404 - Sem: Narratives of Modern Art
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ARHI 63405: Seminar: Topics in Modern Art
3.00 Credits
University of Notre Dame
Topics course on special areas of modern art.
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ARHI 63405 - Seminar: Topics in Modern Art
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ARHI 63416: Topics in American Art
3.00 Credits
University of Notre Dame
Topics course on special areas of American art.
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ARHI 63416 - Topics in American Art
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ARHI 63478: Frank Lloyd Wright Seminar
3.00 Credits
University of Notre Dame
This seminar is a survey of the historiography of art history with special attention paid to the various types of methodology which have been applied to the analysis of art. Special attention is given to the ninteenth-century and twentieth-century art historical methods, including connoisseurship, biography, iconology, psychoanalysis, semiotic, and feminist approaches.
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ARHI 63480: Seminar: Topics in Contemporary Art
3.00 Credits
University of Notre Dame
Topic courses on special areas of Contemporary Art.
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ARHI 63480 - Seminar: Topics in Contemporary Art
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ARHI 63512: Seminar: Museums & Collecting
3.00 Credits
University of Notre Dame
This seminar will focus on the history of collecting and the origins and nature of the modern museum. In the course of our discussions we will address a number of issues including, why do people collect; who is the museum's audience; what role does authenticity play in the philosophy of collecting and display; are museums bound by rules of public decorum; what impact has the Internet had on art museums and their audiences; and what are the museum's rights and obligations in matters of cultural patrimony.
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ARHI 63523: The Meaning of Things: Consumption in American History
3.00 Credits
University of Notre Dame
The Meaning of Things: Consumption in American History asks how objects as diverse as an heirloom quilt, a pair of jeans or an iPod acquire meaning and value. This seminar will introduce students to a range of practices relating to consumption in American history from the colonial period to the present. We will investigate the gendered aspects of production, marketing, buying and using goods as these impact not only on gender, but also on the construction of class, ethnic and "racial" identities. This will lay the foundation for students to write substantive individual research papers on a topic of their choice.
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ARHI 63535: Sem:Feminist Issues,Modern Art
3.00 Credits
University of Notre Dame
In this course we will survey many of the major figures --- both men and women artists --- of 19th and 20th-century European and American art, in order to examine current debates about the role of the feminine in modern art. The selected readings will explore a broad range of significant, recent discussions of this fiend, as well as the theoretical sources of these studies. The most important of these issues will include theories of sexuality; the role of gender in the formation of the avant-garde; the problem of a feminine subjectivity --- its possibility or impossibility; the woman-child as the type of woman artist; the importance of the maternal body for men and women artists; the experience of mothering in developing artistic subjectivity; the feminine as performance and masquerade; and the collapse of the feminine into the primitive.
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ARHI 63535 - Sem:Feminist Issues,Modern Art
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