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ARHI 63105: Topics in Greek and/or Roman Art
3.00 Credits
University of Notre Dame
Topics course on special areas of Greek and/or Roman art.
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ARHI 63105 - Topics in Greek and/or Roman Art
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ARHI 63122: Seminar in Greek and/or Roman Art
3.00 Credits
University of Notre Dame
Permission required. Seminar on specific subjects in Greek and/or Roman art.
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ARHI 63122 - Seminar in Greek and/or Roman Art
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ARHI 63123: Athenian Acropolis in Context
3.00 Credits
University of Notre Dame
Permission required. The monumental elaboration of the Athenian Acropolis did not begin with Pericles and Pheidias in the mid-fifth century B.C. Greek monumental art and architecture were spawned in the context of religion, and by the early Archaic period, the Acropolis was the center of Athenian religion; allmost immediately, religious awe and piety were expressed in the form of imperssive freestanding sculptural dedications and in large and meticulously wrought stone buildings, elaborately decorated with carved and painted designs and, most impressively, with figural relief sculpture. The monuments of the Athenian Acropolis must be understood first in this context --- as the embodiment of religious concepts --- and then in the context of Greek art and culture as a whole. An ultimate goal of the seminar will be to arrive at an understanding of the evolving meaning of the Greek Temple and monumental form, and how they find unique expression in the fifth century Acropolis building program of Pericles. Among the themes that will be treated to one degree or another are the relationship between landscape and religious architecture, the humanization of temple divinities, the monumental expression of religious tradition and even specific history, architectural procession and hieratic direction, emblem and narration in architectural sculpture, symbolism and allusion through architectural order, religious revival and archaism, the breaking of architectural and religious canon. Taken together, they constitute the specific architectural narrative of the Periclean Acropolis.
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ARHI 63123 - Athenian Acropolis in Context
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ARHI 63200: Seminar: Topics Early Christian and Byzantine Art
3.00 Credits
University of Notre Dame
Topic courses on special areas of early Christian and Byzantine Art.
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ARHI 63200 - Seminar: Topics Early Christian and Byzantine Art
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ARHI 63205: Seminar:Topics in Medieval Art
3.00 Credits
University of Notre Dame
The topic and format of this course will vary from year to year.
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ARHI 63205 - Seminar:Topics in Medieval Art
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ARHI 63255: Imago: Constructing a Medieval Theory of Images
3.00 Credits
University of Notre Dame
Despite the wealth of artistic creations surviving from western medieval Europe, the Middle Ages lacked a formative written tradition defining a theory of imagery in its own right. This textual silence contrasts starkly with the highly complex and varied systems of representation demonstrably at work in medieval images, objects, and monuments. In a culture that defined man as made in the image and likeness of God, that delighted in the metaphor of the logos made flesh, that granted divinity to fragmentary parts, that defined memories as tangible impressions upon the brain, and that attached indulgences to pictures of the Holy Face, the richly nuanced concept of imago exerted a profound influence on representations spanning the millenium. Using visual and textual primary sources supplemented by secondary studies, this class will examine the nature of the medieval imago as it appeared in practice and as it has been constructed in modern scholarship on the Middle Ages. This course draws from multiple fields and reveals the truly interdisciplinary nature of the imago as it was created, seen, studied, replicated, adored, and defiled throughout the Middle Ages.
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ARHI 63255 - Imago: Constructing a Medieval Theory of Images
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ARHI 63305: Sem: Topics in Renaissance Art
3.00 Credits
University of Notre Dame
Topics course on special areas of Renaissance art.
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ARHI 63305 - Sem: Topics in Renaissance Art
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ARHI 63312: Venetian and Northern Italian Renaissance Art
3.00 Credits
University of Notre Dame
This course focuses on significant artistic developments of the sixteenth century in Venice with brief excursions to Lombardy and Piedmont. Giorgione, Titian, and Palladio, the formulators of the High Renaissance style in Venice, and subsequent artists such as Tintoretto and Veronese are examined. An investigation of the art produced in important provincial and urban centers such as Brescia, Cremona, Milan, Parma, Varallo, and Vercilli also provide insight into the traditions of the local schools and their patronage.
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ARHI 63312 - Venetian and Northern Italian Renaissance Art
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ARHI 63315: Sem:Courts of Renaissance Ital
3.00 Credits
University of Notre Dame
Permission required. Seminar on specific subjects in Renaissance art.
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ARHI 63315 - Sem:Courts of Renaissance Ital
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ARHI 63340: Seminar: Topics in Baroque Art
3.00 Credits
University of Notre Dame
Topics course on special areas of Baroque Art.
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ARHI 63340 - Seminar: Topics in Baroque Art
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