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ARHI 43105: Seminar: Topics in Ancient Art
3.00 Credits
University of Notre Dame
Topics course on special areas of Greek and/or Roman art.
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ARHI 43105 - Seminar: Topics in Ancient Art
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ARHI 43122: Seminar in Greek and/or Roman Art
3.00 Credits
University of Notre Dame
Seminar on specific subjects in Greek and/or Roman art.
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ARHI 43122 - Seminar in Greek and/or Roman Art
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ARHI 43123: Athenian Acropolis in Context
3.00 Credits
University of Notre Dame
Permission required. The monumental elaboration of the Athenian Acropolis did not begin with Pericles and Pheidias in the mid-5th century B.C. Greek monumental art and architecture were spawned in the context of religion, and by the early Archaic period, the Acropolis was the center of Athenian religion; almost immediately, religious awe and piety were expressed in the form of impressive freestanding sculptural dedications and in large and meticulously wrought stone buildings, elaborately decorated with carved and painted designs and, most impressively, with figural relief sculpture. The monuments of the Athenian Acropolis must be understood first in this context--as the embodiment of religious concepts--and then in the context of Greek art and culture as a whole. An ultimate goal of the seminar will be to arrive at an understanding of the evolving meaning of the Greek Temple and monumental form, and how they find unique expression in the 5th century Acropolis building program of Pericles. Among the themes that will be treated to one degree or another are the relationship between landscape and religious architecture, the humanization of temple divinities, the monumental expression of religious tradition and specific history, architectural procession and hieratic direction, emblem and narration in architectural sculpture, symbolism and allusion through architectural order, religious revival and archaism, and the breaking of architectural and religious canon. Taken together, they constitute the specific architectural narrative of the Periclean Acropolis.
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ARHI 43123 - Athenian Acropolis in Context
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ARHI 43200: Seminar: Topics in Early Christian and Byzantine Art
3.00 Credits
University of Notre Dame
Topics course in special areas of early Christian and Byzantine art.
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ARHI 43200 - Seminar: Topics in Early Christian and Byzantine Art
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ARHI 43205: Seminar:Topics in Medieval Art
3.00 Credits
University of Notre Dame
The topic and format of this course will vary from year to year.
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ARHI 43205 - Seminar:Topics in Medieval Art
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ARHI 43305: Seminar: Topics in Renaissance Art
3.00 Credits
University of Notre Dame
Topics course on special areas of Renaissance art.
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ARHI 43305 - Seminar: Topics in Renaissance Art
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ARHI 43312: Seminar: Venetian and Northern Italian Art
3.00 Credits
University of Notre Dame
Seminar on specific subjects in Venetian and Northern Italian Renaissance Art.
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ARHI 43312 - Seminar: Venetian and Northern Italian Art
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ARHI 43314: Seminar: Mannerism/Painting and Sculpture
3.00 Credits
University of Notre Dame
This course will explore the artistic rends in Italy after the High Renaissance (ca. 1520) and before the Baroque (ca. 1580), and will begin with definitions of terminology and a brief historiographic survey. Our attention will then turn to the Roman art of Raphael's heirs, Giulio Romano, Perino del Vaga, and Polidoro data Caravaggio, and the emerging Tuscan painters Pontormo, Rosso Fiorentino, and Domenico Beccafumi. We will also investigate the dispersal of the Roman school: Giulio Romano to the Gonzaga course in Mantua, in 1524, and following the Sack of Rome by imperial troops in 1527, other maniera artists to Genoa, Bologna, Parma, and as far as the French royal chateau at Fontainebleau. Rome consequently experienced a revival at the end of the reign of Clement VII, and under the pontificate of Paul III, notably, the arts, politics, and theology flourished. This period may be marked by such diverse works as Michelangelo's monumental Last Judgment (1536-41) and his frescoes (1542-45) in the Pauline Chapel, Vatican Palace, the decorations (1536-51) by various mannerist artists in San Giovanni Decollato, Perino's elegant frescoes in the Sala Paolina (1545-47), Castel Sant' Angelo, Giorgio Vasari's fantastic murals in the Palazzo Cancelleria (1546), and Francesco Salviati beautiful, secular frescoes in the Palazzo Ricci-Sacchetti (ca. 1553-54). Attention will also be given to the art of the Counter-Reformation in Rome, and to painting and sculpture by Bronzino, Salviati, Cellini, Bandinellui, Vasari, Giambologna, and others a the Florentine courts of Dukes Cosimo I and Francesco I.
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ARHI 43314 - Seminar: Mannerism/Painting and Sculpture
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ARHI 43315: Seminar: Courts of Renaissance Italy
3.00 Credits
University of Notre Dame
Seminar on specific subjects in Renaissance art.
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ARHI 43315 - Seminar: Courts of Renaissance Italy
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ARHI 43340: Seminar: Topics in Baroque Art
3.00 Credits
University of Notre Dame
Topics course on special areas of Baroque art.
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ARHI 43340 - Seminar: Topics in Baroque Art
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